Nothing makes me feel better than the 1961 performance of Turandot
The old Nilsson/Corelli radio checks from the 1960s are a reminder that what this opera needs are VOICES.
The old Nilsson/Corelli radio checks from the 1960s are a reminder that what this opera needs are VOICES.
A new production of La sonnambula at the Metropolitan Opera is musically charming if dramatically confounding.
Jonas Kaufmann has a new lieder album called Doppelgänger, but the contents of the album vary depending on how you purchase it.
Other queens have been richer of voice or more dramatically compelling, but none I have ever heard succeeds in sounding something other than human.
Macbeth at the Festival Verdi in Parma aims big — on a small scale
Conchita Supervia (1895-1936), Spanish mezzo, never fails to lift my spirits, in practically everything she sang.
Surely you agree that piano concerti are inherently political.
A pair of Otellos – in Madrid and Parma – is a study in contrasts.
Suck it, Joseph Kerman: Puccini’s “Shabby Little Shocker” has outlived you and will probably bury us all.
Kevin Ng sits down with PEN/Faulkner Award-winning novelist and critic Garth Greenwell to talk about sex, queerness, and the “promise of opera.”
From an early age I knew I should have been French.
West Side Story opened LA Opera’s 40th anniversary season with fury and flair
Today’s Grand Tier Grab Bag features a snippet from Carolina López Moreno and Antonio Pappano‘s recent Rondine in London.
The Amazing Adventures of Kavalier & Clay was, somehow, a fun night at the opera—just not one that felt specifically operatic.
We will have two Bellinis in new productions, with the best possible casts that can be assembled.
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