The best thing I saw in 2025 was Elina Garanča in Aïda

Elina Garanča scaled the vocal and dramatic summits of the Judgement Duet and Scene in the May series of Aïda.

She does not possess the ball-busting voice of a Gorr, Barbieri, or Zajick, true, but my goodness, she was in total control of her paradoxically cool but vibrant instrument, enough that she interpolated veristic inflections in this scene but also sang a soaring line that culminated in rock-solid sustained B flats. The audience erupted; I screamed ‘Brava Garanča’ so loudly my throat hurt, despite my exhaustion from getting there with fifteen minutes to spare after a day-long flight delay.

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