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Norman Lebrecht reveals himself once more to be no observer at all.
Born on this day in 1930 soprano Roberta Peters.
So Anna Netrebko met Julie Andrews yesterday afternoon at an event for the American Austrian Foundation, but that’s just the beginning!
Baritones: is there anything they don’t know?
At “Trove Thursday” it’s May Night, Nikolai Rimsky-Korsakov’s 1880 comic opera, in a recent broadcast from Moscow led by pianist-conductor Mikhail Pletnev.
The Verdi Chorus celebrated their 35th anniversary with their spring concert weekend entitled The Force of Destiny last Saturday night and Sunday afternoon.
On this day in 2006, Klaus Florian Vogt made his Metropolitan Opera debut as Lohengrin.
The final weeknight livestream of the Met season.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Born on this day in 1895 lyricist Lorenz Hart.
With Sonya Yoncheva canceling the Philadelphia Orchestra’s performances of Tosca, who do you, the cher public, think will take her place?
A revival of My Fair Lady at Lincoln Center makes a muddle of the show’s thoughtful elements and isn’t particularly funny either.
Let’s hear it for our parterre advertisers!
Surely no one can be surprised that the focus of attention among the cher pubic in April was Anna Netrebko‘s first Tosca.
On this day 1990 mezzo-soprano Christa Ludwig celebrated her 30th anniversary Metropolitan Opera performance as Fricka.
Our Own JJ catches up with the tail end of the Met season.
I broke up with my first lover over the phone and while watching TV. I’m not proud of this.
Talk of the Town
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
A favorite art song performance from Emma Hoffman
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Two favorite art song performances from Julia Bullock
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
Just a few years back it would have been seen as ridiculous to put “Lyric Opera of Chicago” and “Jesus Christ Superstar” in the same sentence.
On this day in 1902 Debussy’s Pelleas et Mellisande premiered in Paris.
A very happy 82nd birthday maestro Zubin Mehta!
La Cieca begins to think that this whole “zombie” fad has gone too far.
How do you like your Carmen? Mezzo or soprano? Flirtatious? Confrontational? Smolderingly sexy?
This afternoon’s broadcast, for your discussion and delight.
On this day in 1928, the Metropolitan Opera on tour in Ohio presented La Gioconda with Rosa Ponselle, Marion Telva and Giacomo Lauri-Volpi.
For tonight’s distinguished premiere of Lucia di Lammermoor at the Algonquin Opera, there would in fact be far more blue hairs in the audience than blue collars.
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