Recent Stories
It’s time to vote on the 2018 Pubie Awards.
Asking the musical question, “They say we know why the poor sleep three in a bed, but why do the rich?
On this day in 2002 tenor Salvatore Licitra made his Metropolitan Opera debut as Cavardossi.
Philadelphia’s Academy of Vocal Arts, a top-tier advanced training program for singers launching professional careers, always sends off their artists in style.
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Happy 63rd birthday mezzo-soprano Anne Sofie von Otter.
Heartbeat is, after all, a company that loves to tinker.
Kristine Opolais has withdrawn from the role of Elsa in The Royal Opera’s forthcoming new production of Lohengrin, to ensure her full recovery from a routine abdominal medical procedure.
Happy birthdays to countertenor Anthony Roth Costanzo and tenor Michael Fabiano.
While one sympathized with Matthew Aucoin’s urge to add his voice to the Orpheus canon it was difficult to figure out how his work complemented Gluck’s.
Maria Callas’s most outstanding Adalgisa, out of all she partnered with, was Fiorenza Cossotto.
When Arthur Sullivan (not yet Sir Arthur) composed his “dramatic oratorio” The Martyr of Antioch in 1880, he had just completed The Pirates of Penzance.
On this day a year ago the Metropolitan Opera celebrated 50 years at Lincoln Center.
Talk of the Town
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
A favorite art song performance from Emma Hoffman
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Respighi‘s liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola‘s recording of the first song from Quattro rispetti toscani.
Two favorite art song performances from Julia Bullock
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
This task feels near impossible, as I listen to a LOT of art song singers on repeat, across decades and continents (from piano to orchestral works) — mostly for pleasure, but also for study.
Kurt Weill & Bertolt Brecht’s Mahagonny Singspiel, and Gian Carlo Menotti’s The Medium—are not only combined, but configured to overlap in sometimes revealing, occasionally confounding ways.
By the end of the first act, it was clear to me that I was experiencing an artist performing at her absolute peak.
Happy 87th birthday mezzo-soprano Jane Berbié.
Join us for a sneak preview immediately following today’s Met broadcast!
The final Met Saturday afternoon broadcast of the season begins at 1:00.
Born on this day in 1919 bass-baritone George London.
Jennifer Rowley will sing the title role in tonight’s performance of Puccini’s Tosca, replacing Anna Netrebko who is ill.
Doomed Lucia di Lammermoor was only halfway through her Mad Scene at the time of the incident.