James Jorden (who writes under the names “La Cieca” and “Our Own JJ”) is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. He is the co-creator, writer and occasional wig stylist for “The Dozen Divas,” the long-running cabaret show starring the ineffable Dorothy Bishop. Currently he alternates his doyenne duties with writing a twice-weekly column on opera for the New York Observer.
Twenty-five years ago today, a zine cracked its shell and poked its timid beak into the world. 
Is it not enough that the more ignorant segments of the public and the critical establishment continue to shout praise to David McVicar‘s torpid Tosca as the greatest triumph of the reactionary since the Bourbon Restoration? Must we also endure the smug smirking of the likes of Justin Davidson, who yet again has 
Cher Public