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On this day in 1952, the Metropolitan Opera opened its season with a new production of La forza del destino.
Countertenor Aryeh Nussbaum Cohen‘s star is surely on the rise.
Today is the 100th anniversary of the birth of actress and singer Dorothy Dandridge.
Diva November continues with three favorite divas in rare recordings of important 20th century works.
On this day in 1901 the Metropolitan Opera, on tour in Los Angeles, presented the inimitable Emma Calvé as Carmen.
This month, both the Paris Opéra and the Opéra-Comique are mounting seminal works about unhinged anti-heroines who meet their downfall after falling head-over-heels for an unavailable, deeply unattainable man – Salome, in the case of the Opéra; and Armide, in the case of the Opéra-Comique.
On this day in 1898 contralto Ernestine Schumann-Heink made her Metropolitan Opera debut as Ortrud.
On this day in 1928, the Metropolitan Opera presented the American premiere of Richard Strauss‘s Die Ägyptische Helena with Maria Jeritza in the title role.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Tra voi belle
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Grand Tier Grab Bag
León in winter
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Grand Tier Grab Bag
Assai più vale il soglio
che un genitor perduto
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Grand Tier Grab Bag
Women’s liberation
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Grand Tier Grab Bag
Ash and you shall receive
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Grand Tier Grab Bag
When her ship comes in
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Teatro Nuovo took a big risk in a bad way on Wednesday with its revival of Rossini’s Maometto II.
The revival of Don Carlo(s) which opened on November 3 restored the translated Italian text and the cut 1882 four-act revision not seen at the Met since Rudolf Bing’s last season in 1972.
On this day in 1883 the Metropolitan Opera presented the company premiere of La traviata.
On this day in 1924, the Metropolitan Opera presented La bohème, a performance visiting critic Ernest Newman didn’t seem to like one bit.
On this day in 1989 soprano June Anderson made her Metropolitan Opera debut in a new production of Rigoletto.
If it is true that there are few respectable ways for people over 40 without small children to celebrate Halloween, a performance of Richard Strauss’ pioneering horror opera Elektra belongs on the short list.
Talk of the Town
The Talk of the Town
A favorite bass performance from Leyla Gender-Bender
A favorite bass performance from Leyla Gender-Bender
Fyodor Chaliapin is considered one of the greatest basses ever because he combined a dark, flexible, and instantly recognizable bass voice with extraordinary musical intelligence and nuance.
Fyodor Chaliapin is considered one of the greatest basses ever because he combined a dark, flexible, and instantly recognizable bass voice with extraordinary musical intelligence and nuance.
The Talk of the Town
A favorite bass performance from CKurwenal
A favorite bass performance from CKurwenal
I wanted to make sure Paata Burchuladze gets celebrated in this series.
I wanted to make sure Paata Burchuladze gets celebrated in this series.
The Talk of the Town
The René Jacobs Giulio Cesare is so overrated
The René Jacobs Giulio Cesare is so overrated
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
The Talk of the Town
The 1946 La traviata is so overrated
The 1946 La traviata is so overrated
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
The Talk of the Town
The 1957 Anna Bolena is so overrated
The 1957 Anna Bolena is so overrated
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
The Talk of the Town
The Solti Ring Cycle is so overrated
The Solti Ring Cycle is so overrated
It was many decades ago that I first listened to the Solti Ring Cycle.
It was many decades ago that I first listened to the Solti Ring Cycle.
On this day in 1931 apparently ubiquitous soprano Rosa Ponselle graced the Metropolitan Opera’s opening night performance of La traviata.
La Cieca extends the heariest imaginable thanks to our parterre box advertisers for the month of November 2022!
A welcome return by Christian Ocier reviewing Wagner in far-flung Seattle led the top ten most read posts for the month of October.
The magazine to which I no longer subscribe has for years celebrated divas each November; Chris’s Cache follows suit offering favorite sopranos and mezzos in live-performance rarities every Tuesday this month.
On this day in 1926 the Metropolitan Opera opened its season with La vestale with Rosa Ponselle in the title role.
The pandemic had different effects on different people.
Dame Ethel Smyth’s third opera, The Wreckers, opened at Houston Grand Opera on October 28 and runs through November 11.
On this day in 1927 the Metropolitan Opera opened its 1927 season with a revival of Turandot featuring Maria Jeritza and Giacomo Lauri-Volpi.