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On this day in 1910 Puccini’s La fanciulla del West had its world premiere at the Metropolitan Opera.
Monday November 14th’s performance of Karlheinz Stockhausen’s Freitag aus Licht by the contemporary music ensemble Le Balcon began in complete chaos.
Diva November meets Wagner December when Chris’s Cache this week offers Régine Crespin as both Elisabeth in Tannhäuser and Senta in Der Fliegende Holländer via a pair of American pirates from the 1960s.
On this day in 1905 Richard Strauss‘s Salome premiered in Dresden.
On this day in 1925 the George S. Kaufman / Irving Berlin musical The Cocoanuts opened at the Lyric Theatre starring The Marx Brothers.
For those who relish 17th and 18th century vocal music, the annual visits to the Morgan Library by the singers and instrumentalists of the Boston Early Music Festival invariably guarantee delight
Born on this day in 1864 soprano Sibyl Sanderson.
As the focal point of the The Far Country, Eric Yang anchors the production with a cool steadiness that only occasionally betrays a sense of urgency beneath his patient countenance.
Grand Tier Grab Bag
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
On this day in 1960 soprano Eileen Farrell made her Metropolitan Opera debut in the title role of a new production of Gluck’s Alceste.
On this day in 1960, Galina Vishnevskaya made a guest appearance with the Metropolitan Opera, singing Madama Butterfly in Russian.
On this day in 1935 the Metropolitan Opera presented a new production of Die Walküre featuring the company debut of soprano Marjorie Lawrence as Brünnhilde.
Step aside, Texas: “Everything is bigger at Aida” is the motto of the Met’s second attempt at retiring Sonja Frisell’s colossal production.
Premiere of a new production from the Bayreische Staatsoper.
On this day in 2009 the Metropolitan Opera presented a production of Les Contes d’Hoffmann that went through six major cast changes during the rehearsal period.
Arts Council England, as a global policy trendsetter, may have sounded the death knell for the international opera industry as we know it.
Talk of the Town
A favorite bass performance from Christopher Corwin
As we reach the end of “Bass Month” I’d like to call attention to the superb American Gregory Reinhart who particularly shone in music by Jean-Philippe Rameau.
As we reach the end of “Bass Month” I’d like to call attention to the superb American Gregory Reinhart who particularly shone in music by Jean-Philippe Rameau.
A favorite bass performance from TildyDiva
The greatest bass performance I ever experienced was actually four – four performances in four roles.
The greatest bass performance I ever experienced was actually four – four performances in four roles.
A favorite bass performance from William Guanbo Su
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
A favorite bass performance from H_Badger
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
A favorite bass performance from Eli Jacobson
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
A favorite bass performance from La Grunowa
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Alma Deutscher’s quest for beautiful music permeates the score of her Cinderella from the hushed opening of the Overture.
Born 99 years ago.
Of course the Met premiere of The Hours grabbed most of the attention last month!
On this day in 1962, the Metropolitan Opera presented Ernani starring Carlo Bergonzi, Leontyne Price, Cornell MacNeil and Giorgio Tozzi, conducted by Thomas Schippers.
One wonders whether an obsession with metrics and measurement has the potential to create arts organizations that are more preoccupied with finding systems that quickly and efficiently tick the Arts Council’s boxes than with creating meaningful, impactful art.
On this day in 1990 the Metropolitan Opera presented a new production of Rossini’s Semiramide.
Wrapping up Diva November, Chris’s Cache offers two sacred works that couldn’t be more unalike.
On this day in 1937 the Metropolitan Opera opened its season with Tristan und Isolde.