Bohemienne
On this day in 1975, Régine Crespin sang her first Met Carmen.
On this day in 1975, Régine Crespin sang her first Met Carmen.
Yet another surprising new project for Karita Mattila: Leticia Van Allen in Myra Breckenridge.
The New York Gilbert and Sullivan Players (NYGASP to its friends) is giving Sullivan’s most operatic score a dusting off (or should one say dusting-up?) at the Kaye Playhouse at Hunter College.
I was floored to find that Company with a female protagonist, at least in Marianne Elliott’s West End production, is a better and more complete show than original recipe Company.
On this day in 1961 tenor Sandor Konya made his Met debut as Lohengrin.
The BBC’s program of live broadcasts of Wagner’s Ring starts this afternoon with Das Rheingold at 1:30 PM.
Sondra Radvanovsky changed my opinion of her through a single performance—I’ll never think of her the same way again; the power of her singing overwhelmed my previous impressions.
With Liber scriptus came the biggest discovery for me, the vocal talent of Elena Stikhina.
Uneven operas, like Verdi’s Ernani, which just recently finished its Scala run, more often work as theatre on the micro level than the macro.
Earlier this month I got the opportunity to sample two very different Baltic operas.
On this day in 1959 mezzo-soprano Giulietta Simionato made her Metropolitan Opera debut as Azucena.
Sondra Radvanovsky takes up candle-toting duties tonight at 7:25 in a live broadcast of Tosca from the Met. Discuss!
Today at 1:30 PM, live video of Médée from the Staatsoper Berlin.
“Trove Thursday” offers due local Lombardi: one with Renata Scotto and José Carreras, the other with Aprile Millo and Carlo Bergonzi.
“A University of Michigan student is suing the school and renowned opera singer David Daniels, also a U-M professor, alleging Daniels sexually assaulted him.”
With a program of Schumann, Wagner, Ravel and de Falla, mezzo-soprano Elina Garanca and pianist Kevin Murphy delivered a underdone performance at Carnegie Hall on Tuesday night.
Born on this day in 1926 soprano Galina Vishnevskaya.
“Renée Fleming herself will sing, of course…”
Isn’t it nice to know a lot? And a little bit not.
Happy 63rd birthday soprano and teacher Cheryl Studer.
I really cannot exaggerate the extent to which I truly did not know what was going on in New York City Opera’s production of Maria de Buenos Aires.
Those readers who know my musical tastes will not be shocked to find that I have a somewhat conflicted view of Mozart’s operatic works.
How do we celebrate a long career in opera, particularly one as illustrious as Plácido Domingo‘s?
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