A hefty thunderclap shook Tanglewood’s Koussevitzky Shed just as Andris Nelsons raised his baton for the third act of the weekend’s concert Die Walküre.
By John Yohalem
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Tannhäuser pales beside the other great Wagnerian operas in the degree to which it has innovated the Regisseur’s vocabulary for set design and dramaturgy.
The gods get their kicks on Route 66.
By La Cieca
Wagner’s Ring is an artistic masterpiece that is peerless in its ability to continually reveal layers of musical, theatrical, and philosophical insight
Yusif Eyvazov just let slip what we must assume is a very long-term project indeed for himself and Anna Netrebko: the title roles in Tristan und Isolde.
By La Cieca
Whether you love the 2018 Berlin Staatsoper Tristan and Isolde depends on what you think the opera is about.
Live video stream from the Staatsoper Stuttgart starting at 11:00 AM.
By La Cieca
I count myself as privileged to have witnessed Götterdämmerungat the Royal Opera House during this season’s revival of Keith Warner’s Ring.
Sunday, August 26, marked the inaugural performance for the newly-created The Claude Heater Foundation with a concert performance of Wagner’s Tristan und Isolde in the Herbst Theatre.
Act Two of Wagner’s music drama with the Boston Symphony.
By La Cieca
The Met’s magnificent revival which opened on Monday night with a superb cast under the mesmerizing leadership of Yannick Nézet-Séguin nearly converted me into a devoted Parsifal disciple.
“Heinrich, come on over for dinner! / We’ll be so glad to see you!”
By La Cieca
In May of last year tenor Piotr Beczala and soprano Anna Netrebko sang in Lohengrin for the first time under the baton of Christian Thielemann in his home house at the Staatskapelle Dresden.
By Patrick Mack
At long last, cher public, a finale to our Senta’s Ballad quiz, nearly a month late! The name of the winner and the complete lists of sopranos after the jump.
Here’s Matt Baume enjoying Der Fluch Des Engelhart,
By La Cieca
I can scarcely remember a performance where so many conflicting thoughts raced through my mind as happened Thursday night during the Met Orchestra’s “bleeding chunks” of Wagner’s Ring at Carnegie Hall.
The production by Sebastian Baumgarten is the type of regietheater that’s not a rethinking or reconstruction, but just a hot mess.
By Poison Ivy
Our dear friends over at Opera Depot are slashing prices in half on all their recordings of Tristan und Isolde in honor of the music drama’s 150th anniversary.
By La Cieca
Mariusz Trelinski will direct Tristan und Isolde for Metropolitan Opera in a production that will premiere there on opening night 2016.
By La Cieca
When Richard Wagner reached into the past and revised Gluck’s Iphigénie en Aulide, he went beyond the accepted boundaries of tinkering and more or less created a new work that’s fomented aesthetic debates ever since.
By Adriel
To some, Anne Schwanewilms will always be the soprano in the slinky black dress who replaced Deborah Voigt at Covent Garden a decade ago.
By Adriel
The finer performances of Tristan und Isolde have a way of sounding like a four-hour improvisation, the fruit of a single moment of inspiration that makes one forget how emotionally manipulative and painstakingly crafted the music really is.
By Adriel
I am grateful to Sony for this new release
of the Metropolitan Opera’s latest production of Parsifal and I hope I’m not the only one who discovers what a rich experience this opera can be because of it.
By Patrick Mack
Marek Janowski’s survey of Wagner operas on PentaTone so convincingly captures the pulse and dramatic flow of many of the works that the music-making at times sounds almost effortless.
By Adriel
