The eventually reopened Metropolitan Opera promises a swift return to its status quo ante as a farm team for the English National Opera, sharing the London company’s new Ring cycle directed by vieillard terrible Richard Jones.
The catch: Employees would have to agree to a 30 percent cut in pay, half of which would be restored once the Met’s box office returned to pre-pandemic levels.
The Met settled with disgraced former music director James Levine for a cool $3.5 million.
Fueled by a fierce intelligence, deep earnestness, exceptional eloquence, and social media savvy, Joyce DiDonato is a presence and a power, as much when speaking and thinking as when singing. Who better to imagine a program that would suit this (we hope) unique moment?
Stay tuned as La Cieca attends this Zoom press conference with Peter Gelb and special guest zoomers.
The Metropolitan Opera is heading for a very rocky couple of years.
The Metropolitan Opera announced today that the company has made the difficult decision to cancel the first few months of its 2020–21 season, based on current information regarding the ongoing health crisis. The new season is now scheduled to begin on December 31, 2020, with a special gala performance, the details of which will be shared at a later date.
What options are there for the Met and the other performing arts organizations trying to envision restarting performances in the fall?
Because of the coronavirus pandemic, the Metropolitan Opera announced today that the company has canceled the remainder of the 2019–20 season, which was to have ended on May 9, 2020.
A Saturday afternoon iteration of this season’s ubiquitous revival.
While last year’s finals were dominated by early nineteenth-century bel canto arias, this year’s finalists took on a remarkably broad range of music from a variety of repertoires.
I never imagined I’d see such a rote park-and-bark Wagner production created in 2020!
After tonight’s dark drab dud of a Dutchman, I was plunged into despair.
Wagner’s early masterpiece returns to the Met conducted by Valery Gergiev (not pictured).
The season’s second cast delivered a satisfying, if not transcendent, La Traviata at the Met last night as they struggled to emerge from piles of jewel tone brocade and gold filigree.
Believe it or not, it’s the final Nozze of the Met’s 2019-2020 season.
Saturday’s performance of Così fan tutte demonstrated that even the cool, acerbic wit of Mozart’s most controversial comedy can warm our hearts in these icy winter months.
A performance from Fall 2019 featuring Lisette Oropesa and Michael Fabiano.
New productions of Aida, Die Zauberflöte, and Don Giovanni and Met premieres of The Fiery Angel and Dead Man Walking headline the Metropolitan Opera’s 2020–21 season.
Amanda Woodbury jumps in as the Countess in tonight’s broadcast.
One final hearing of the Berlioz this afternoon.
Handel’s biting Agrippina finally arrived at the Metropolitan Opera Thursday evening 310 years after its Venetian premiere.
Is there any opera more bullet-proof than Le Nozze di Figaro?