Cher Public

Scrumptious and relatable

A woman-themed evening, as both authors and subjects of song

Dear Jamie Barton,

Last week at Zankel, as always, you made everyone want to bravo and swoon and scream-cry and also maybe phone a few dads to say it’s okay, all bygones now, we’re basically dead. Read more »

The long and winding road

Jamie Barton has one of the great voices in the world today, sumptuous, flexible, and capable of light and shade, her sizeable mezzo pours forth seamlessly. Her tremendous operatic potential has already found a firm footing. She has sung Adalgisa and Giovanna, Fricka and Jezibaba—all to acclaim. In a recent Opera News feature, she said that Eboli and Azucena are on the way (though not Amneris) and that she feels entirely at home singing Wagner.  Read more »

Sleeping with the fishes

With a cast of stellar singers and maladroit direction by Mary Zimmerman, Dvorák’s Rusalka debuts in a new production at the Metropolitan Opera. The libretto, by Jaroslav Kvapil (based upon the fairy tale Undine by Friedrich de la Motte Fouqué) is probably most recognizable as an iteration of The Little Mermaid, a folktale made famous by Hans Christian Andersen in the 19th century, and the wonderful world of Disney in the 20th.   Read more »

Mezz appeal

Mezzo-soprano Jamie Barton has been named the winner of the 12th annual Beverly Sills Artist Award for young singers at the Metropolitan Opera.

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Tucker everlasting

The Richard Tucker Music Foundation’s annual gala promises (note, promises) a particularly glittery roster this year.

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The rite stuff

Remember that time you went to the opera and the entire evening was perfection?

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Barton glances

The annual Richard Tucker Gala is probably the event of the year to indulge your love of verismo staples and can belto screaming.

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Man of steel

“This throwback to the golden age of opera—superhuman singing greeted with frenzied ovations—was a function of a perfect storm of excitement.”

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