Based in Toronto, Ali Kashani caught the opera bug as a young teen and has progressively and obsessively grown his love of the art form through recordings, magazines and participation in on-line groups. He proudly tries to insert opera into the lives of all he touches. He has been reading parterre.com for over a decade and began contributing reviews in 2015.
Ali has given opera talks and moderated discussion panels for the Canadian Opera Company and used to be regular panelist on the now-defunct CBC Opera Quiz with Stuart Hamilton. Though he has musical training, his goal of taking vocal lessons is still, regrettably, on the to-do list.
Ali Kashani
The Canadian Opera Company’s new production of Otello is a collection of welcome returns: the return of Verdi’s penultimate masterpiece after nine years, the return of principals Russell Thomas, Tamara Wilson and Gerald Finley, and the return of director David Alden. Read more »
The saying goes that no one hits a home run with their first opera. Rufus Wainwright seemed determined to prove this point and then some with Prima Donna, with its risibly clichéd libretto and music that was a pale imitation of Adriana Lecouvreur. Read more »
“The sets and costumes do the trick without causing any concern of reckless spending.”
When the Canadian Opera Company announced a new (to the COC, anyway) production of Donizetti’s Anna Bolena staring soprano Sondra Radvanovsky in the title role, I admit that I wasn’t as excited as I had been by the announcement of her previous COC roles—Aida, Elisabetta (in Robert Devereux) and Norma. Read more »
Grand Prix winner of the International Tchaikovsky Competition, soprano Hibla Gerzmava returns to Carnegie Hall, with pianist Ekaterina Ganelina, for a recital in Stern Auditorium/Perlman Stage on Friday, November 1, 2019, at 8:00 pm. Her program will feature art songs by such Russian masters as Glinka, Rimsky-Korsakov and Prokofiev coupled with those by Hahn and Fauré set against a backdrop of arias by Verdi and Donizetti.
Der Rosenkavalier (on Blu-ray and DVD) is from the Met HD broadcast which also happened to be the final performance of the run, becoming a true souvenir of the farewells of its two leading ladies.
By virtue of its subject matter and the auspicious occasion of its commissioning, Louis Riel was destined to be iconic.
In her debut solo album, Jamie Barton surrounds Gustav Mahler’s staples of the song repertoire, Rückert Lieder, with the less familiar Gypsy Songs of Antonin Dvorák and select songs by Jean Sibelius.
The Canadian Opera Company scored a coup when they secured Christine Goerke for the revival of their Ring productions over the last three seasons
Cher Public