At what moment does a “rising star” become simply a “star”?
Verdi must have gotten tired of tossing and turning by now and has gone back to resting in peace.
You will be happy to hear that Michael Fabiano was the unrivaled star of the Richard Tucker Foundation Gala tonight.
Even before Italian diva Mariella Devia had completed the stunning high D natural that capped her miraculous portrayal of Elisabetta in Donizetti’s Roberto Devereux Thursday evening at Carnegie Hall, tens, then hundreds of those in attendance leapt to their feet to shout their acclaim.
Once upon a time, a man and a woman met. He could sing, she could sing. They fell in love, got married, and became a power couple to rival Billary.
It may have taken most of Verdi’s canon to do it, but the “Tutto Verdi” collection finally manages to do justice to Verdi in his last two operas.
Ailyn Pèrez is a soprano on the rise.
Today is the dress rehearsal/preview of Anna Bolena at the Met, and naturally La Cieca has infiltrated the event with a veritable phalanx of spies. After the jump: all your latest Anna Netrebko related news.
A dramatic symphony with incidental voices: that’s how Riccardo Muti’s Otello, which inaugurated the 2008 Salzburg Festival, could be aptly described. Beginning with the initial allegro agitato with its piercing lashes, it instantly appears obvious that Muti’s intention is to go for the jugular, nail the audience to their seats and never give them a…
La Cieca’s spy L’Inconnu in the City of Brotherly Love (which, given the circumstances, she supposes she should specify is Philadelphia) whispers: La Cieca favorite Stephen Costello is one of the only worthwhile reasons to catch David DiChiera‘s new opera Cyrano premiering tomorrow night at the Opera Company of Philadelphia. The men truly led the…
Our Own Little Stevie reflects on the Met’s new Macbeth. I’d like to admit a guilty pleasure of mine: I’ve secretly been waiting with a lot of anticipation for Maria Guleghina to sing in Macbeth and Norma this year. I have not told this to many people because it seems that the common expectation has…
Our Own Gualtier Maldè reflects on last night’s Met Lucia:The Met has often been accused and rightly so of ignoring young talent and waiting too long to hire up-and-coming new stars while hanging on to declining old favorites well past their sell-by date. Occasionally a promising new talent from the Young Artists Program will blossom…
La Cieca introduces a new feature on parterre.com, the guest review. First up to bat is longtime print zine stalwart Little Stevie, who saw Lucia di Lammermoor last night. Take this as you will: based on this evenings performance the new Met Lucia is pretty bad. The acclaimed Ms. Zimmerman simply doesn’t know how to…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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