I’m a stranger here myself I’m a stranger here myself

In 1982 I saw Turandot at the San Francisco Opera, the year after I became an opera fan, and it was my first live opera.

Come to the record store in old Peking Come to the record store in old Peking

In the lead up to LA Opera’s mounting of Turandot on May 18th (hooray!) I thought I’d touch on some of my favorite recordings and new re-masters I’ve discovered. I have them all.

Thoughts on <em>La Gioconda</em>: the others Thoughts on <em>La Gioconda</em>: the others

Yes, there were other Giocondas if not of quite the same distinction. Chronologically…

Thoughts on <em>La Forza del destino</em>: influences Thoughts on <em>La Forza del destino</em>: influences

I’ve argued with myself for many years as to which was my favorite opera by Giuseppe Verdi, La forza del destino or Don Carlos. The latter finally won out especially after studying it in depth, but in the long run, it is the music of Forza that I love the most.

Old school and better for it Old school and better for it

As far as I know, Juan Diego Flórez last appeared in New York City (not totally to his advantage) as Alfredo in the Met’s garish new production of La Traviata back in December 2018, nearly five years ago.

Les ‘Filles’ mal gardées Les ‘Filles’ mal gardées

Two problematic 1990s Donizetti daughters

Cuck and ball torture Cuck and ball torture

On October 20th, a wet but warmish Friday night, the Metropolitan Opera opened this season’s revival of Verdi’s Un Ballo in Maschera in David Alden’s 2012 production.

I shall be released I shall be released

Welcome, beloveds, to the Jessye Norman Memorial Museum. I’ll be the docent for your tour today.

Making the trivial triumphant Making the trivial triumphant

On this day in 1978, the Metropolitan Opera presented a new production of Donizetti’s La favorita.

Act two Act two

Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.

The color of Monet The color of Monet

When I saw that Richard Bonynge AC CBE, conductor and musicologist supreme, had authored a book titled Chalet Monet about the home he shared with his wife, La Dame Joan Sutherland OM AC DBE, in Les Avants, Switzerland I practically had to wipe my chin.

‘Elisir’ not quite ‘rara qualita’ ‘Elisir’ not quite ‘rara qualita’

On paper, the Met’s revival of L’elisir d’amore looked like a lovely evening.  And at times it was—a few scenes hinted at what it could be and what it might yet become.

This is a gala day for you This is a gala day for you

On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.

Tableau vivant Tableau vivant

On this day in 1964 the Metropolitan Opera opened its season with a new production of Lucia di Lammermoor.

Ocean, thou mighty monster Ocean, thou mighty monster

Michael Spyres’s nobly moving Idomeneo wasn’t just a bravura triumph: singing strongly throughout, he brought more colors to his portrayal of the tortured king than I had experienced from others in the Ponnelle production.

Love me or leaf me Love me or leaf me

Robert Carsen‘s legendary production of Eugene Onegin finally arrives in San Francisco.

It’s oh so quiet It’s oh so quiet

The concert itself—starring Michael Fabiano, Nadine Sierra, Pene Pati and Lucas Meachem—seemed to be a beautiful affair that I would have loved to see it in a person.

Magnificent: Michael Spyres in recital Magnificent: Michael Spyres in recital

This tenor must be the finest classical singer in the world today.

The Verdi thing The Verdi thing

On Thursday June 30th, San Francisco Opera closed their summer season with a one-night-only special concert celebrating Eun Sun Kim’s first season as the Caroline H. Hume Music Director, in an aptly named concert “Eun Sun Kim Conducts Verdi.”

A real vibrancy A real vibrancy

Your favorite box set-aholic here completely missed the release last August of Giuseppe Di Stefano – Complete Decca Recordings in honor of the great tenor’s centenary.

Give Paris one more chance Give Paris one more chance

Pavarotti and Freni are gone but the Franco Zeffirelli Bohème remains. 

(Yet more) Thoughts on ‘Don Carlos’: Coronations and finales (Yet more) Thoughts on ‘Don Carlos’: Coronations and finales

In any case, we are now in the Queen’s garden of the Palace in Madrid. It is the day before the coronation of King Philip. Coronation? What coronation?

How deep is your love How deep is your love

As one can see from the chronology published earlier this year, the American Opera Society, in addition to reviving a number of now familiar operas, introduced many singers who became important local figures; however, there were shooting-star exceptions like today’s Trove Thursday offering of d’Albert’s Tiefland featuring Angeles Gulin and Ion Buzea.

Quicksilver princess Quicksilver princess

Trove Thursday remembers Edita Gruberová with live recordings of two of the three operas I heard her perform at the Met: a 1985 Munich La Traviata with Neil Shicoff and Wolfgang Brendel conducted by Carlos Kleiber and an I Puritani from Vienna 1994 featuring two other artists who recently left us too soon: Marcello Giordani and Dmitri Hvorostovsky.