Some filth or dementia from HBadger Some filth or dementia from HBadger

What to our wondering ears should appear, but a 40-track Jonas Kaufmann Christmas album?

Three on a match Three on a match

Elsa Dreisig, Jonas Kaufmann, and Malin Byström lead recent album releases.

The Pennsylvania Dutchman The Pennsylvania Dutchman

Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.

Dodging a bullet Dodging a bullet

Dull conducting makes Der Freischütz miss its mark at Carnegie Hall.

The art of the possible The art of the possible

Ahead of his first season as the Music & Artistic Director of the New York Philharmonic, how much longer can — and should — Gustavo Dudamel stay quiet about the situation in his native Venezuela?

The 2023 <em>Turandot</em> is so overrated The 2023 <em>Turandot</em> is so overrated

The recent highly hyped studio recording of Puccini’s Turandot left me greatly disappointed.

A ruckus in Kaunas A ruckus in Kaunas

Ponchielli goes east with mixed results in I Lituani.

The best thing I saw in 2025 was <em>Stiffelio</em> The best thing I saw in 2025 was <em>Stiffelio</em>

Looking back, this Stiffelio in Piacenza is the one I cherish the most.

Mein Lieder Schwan Mein Lieder Schwan

Matthew Polenzani charms the pants off of Philadelphia.

Beyond the wail Beyond the wail

Cavalleria rusticana and Pagliacci at Lyric Opera of Chicago are hysterical in all the wrong ways.

Seeing double Seeing double

Jonas Kaufmann has a new lieder album called Doppelgänger, but the contents of the album vary depending on how you purchase it.

Carthago DiDonato est Carthago DiDonato est

For our first review in a new series, we turn to the new recording of Dido and Aeneas featuring Joyce DiDonato, Michael Spyres and Maxim Emelyanychev leading Il Pomo d’Oro.

Space oddity Space oddity

In Lohengrin, populism comes to an apocalyptic end on the Bavarian stage

Married to the mob Married to the mob

Contrasting approaches to Regie duke it out in Cavalleria rusticana & Pagliacci and Rusalka in Munich

Strauss is bustin’ out all over Strauss is bustin’ out all over

This week, Chris’s Cache features five singers in Orchesterlieder by Richard Strauss

C’est une vraie voix C’est une vraie voix

Don Carlos returns to the Opéra National de Paris and it’s an unusually happy occasion

Fathered in Fathered in

Ahead of his only New York appearances this season later this month, parterre box looks forward to the return of estimable baritone Amartuvshin Enkhbat by sharing a clip featuring starry company.

Semper Fidelio Semper Fidelio

Fidelio, which opened last week at the Metropolitan Opera, will always be relevant, I fear.

Shocker and awe Shocker and awe

In 2011, Sondra Radvanovsky‘s Tosca proved promising; fourteen years later, it was absolutely magnificent, a completely satisfying musical and dramatic embodiment of a challenging role by an artist at the peak of her powers.

New kids from the bloc New kids from the bloc

If song recitals by opera stars Piotr Beczala and Asmik Grigorian sometimes came up short, Semyon Bychkov’s powerful rendition of the Glagolitic Mass instantly became one of the year’s highlights.

Duet to me one more time Duet to me one more time

Patrick Mack reviews yet another Puccini album from Jonas Kaufmann

Draculette reborn Draculette reborn

Happy was I to attend the Celebrity Opera Series presentation Saturday night at BroadStage, mere blocks from my humble abode in Santa Monica as Anglela Gheorghiu was making an eagerly awaited return for the first time since her debut here in 2013.

Unnecessary performance problems Unnecessary performance problems

Patrick Mack on the iconic Ethan Mordden‘s career and his first book on opera in 30 years – and it appears that time has mostly stopped in the Mordden manse.

Stage animal control Stage animal control

Following Gundula Janowitz and Janet Baker, Chris’s Cache sends birthday greetings to another favorite diva—Karita Matilla—with a quartet of broadcasts.