Ahead of his new production of Die Frau ohne Schatten, Barrie Kosky chats with Kevin Ng in Aix about pretty much everything — except the details of his new Frau.
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
Ross Wassermann tracks the development of “Che farò senza Euridice?” — and “J’ai perdu mon Eurydice” — for this month’s Perspectives on an Aria
The repertory company of Munich’s Gärtnerplatztheater brings sparkle to a goofy, summery L’elisir d’amore
Sitting in Park Avenue Armory last week for the American debut of baritone Konstantin Krimmel, the rush of joy I felt was two-fold.
Not too long ago, Benjamin Bernheim gave an interview to Opéra Magazine in which he stated “Je ne suis pas un top model.”
Turandot finally arrives on Trove Thursday, but it’s the setting by Ferruccio Busoni which predates by a decade the one by that other Italian guy, and it’s paired today with Arlecchino, the composer’s other commedia dell’arte-influenced short opera.
Kennedy Center could not have predicted just how aptly Saturday evening’s rescheduled recital of 2020 Marian Anderson Award winner, baritone Will Liverman, would respond to the moment.
Elina Garanca’s glorious Marguerite transformed La Damnation de Faust into the Met’s first essential must-see of the year.
Although Gustav Mahler never wrote an opera, his colossal Eighth Symphony “The Symphony of a Thousand” may give us some glimpses of what a Mahler opera might have sounded like
Siegfried is, in a sense, The Ring’s odd one out.
Julia Bullock revisited a few well-trodden song cycles and lieder but pointed up their hidden politics.
Due to a small hiccup in scheduling at Casa della Cieca, this week you get two uploads!
There was a moment during Natalie Dessay’s performance of Schubert’s “Gretchen am Spinnrade” when the singer summoned the ghost of her former self.
To be honest, I have never seen anything quite like Matthias Goerne in recital. He seemed so wonderfully free.
As dear Johann Wolfgang von Goethe (not pictured) said on at least one occasion, “Und ich habe, mein Lieber, wieder bei diesem kleinen Geschäft gefunden, dass Missverständnisse und Trägheit vielleicht mehr Irrungen in der Welt machen als List und Bosheit. Wenigstens sind die beiden letzteren gewiss seltener.”
“Oh to be young and going to Paris for the first time,” exclaimed an elderly gentleman who donned his best sweatervest for a concert at the Ottawa International Chamber Music Festival this past August.
Jules Massenet wrote Werther at the midpoint of his very successful career.
Cher public, who else but La Cieca brings you such in-depth arts coverage that you get not one but two reports from spies at the dress rehearsal of the Met’s new La Damnation de Faust ? After the jump, eyewitness accounts of the Lepagerie from Our Own Gualtier Maldè and Sanford.Â
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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