John Masko, a native of the Providence, RI area, is an orchestral conducting master’s student at the San Francisco Conservatory of Music. During his undergraduate years at Yale College, John was active in student opera both as a music director and vocal coach, working on productions of Die Fledermaus, Dido and Aeneas, Castor et Pollux, The Pirates of Penzance, and The Mikado. After he graduated with a double major in history and music in 2014, John’s diverse interests led him to a two-year international politics research and writing position at the Harvard Kennedy School’s Belfer Center, while he simultaneously studied the art of conducting. He is winner of the 2016 Rubin Institute Audience Review Prize for music criticism.
In recent years, Opera Paralléle has established a reputation for creative programming of contemporary opera in San Francisco. Persuaded both by the promise of an unusual Bernstein-Heggie double bill, and the unusual venue of SF Jazz’s Miner Auditorium, I had the pleasure of attending an excellent production this past week.
There is a slight chill in the air during the final minutes of La Traviata.