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Asmik Grigorian as Jenufa in her Covent Garden debut and Karita Mattila as the Kostelnicka lead a star cast with conductor Henrik Nánási.
On this day in 1947 High Button Shoes opened at the Century Theatre, to run 727 performances.
Born on this day in 1880 singer and vaudevillian Nora Bayes.
Turandot finally arrives on Trove Thursday, but it’s the setting by Ferruccio Busoni which predates by a decade the one by that other Italian guy, and it’s paired today with Arlecchino, the composer’s other commedia dell’arte-influenced short opera.
On this day in 1965 mezzo-soprano Grace Bumbry made her Metropolitan Opera debut as Eboli.
Born on this day in 1906 actress Janet Gaynor.
Bass René Pape, the world’s reigning Boris, reprises his overwhelming portrayal of the tortured tsar caught between grasping ambition and crippling paranoia. The original 1869 version runs two-and-a-quarter hours with no intermission.
Hie thee hither to the Lyric Opera House!
Grand Tier Grab Bag
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Born on this day in 1907 novelty singer Mrs. Miller.
Assuming Facebook and Instagram will remain inaccessible through the evening, here’s something to amuse you meantimes: La Cenerentola from the Teatro Real in Madrid.
Happy 65th birthday actor Christoph Waltz.
Born on this day in 1858 actress Eleonora Duse.
I can’t imagine anyone watching this two-hour schlockfest at home and then dropping $150 for the privilege to see it again, masked and in an uncomfortable chair.
Happy 83rd birthday to critic and occasional performer Rex Reed.
The Met’s premiere of Terence Blanchard‘s Fire Shut Up in My Bones dominated the top ten list of most popular articles on parterre box in September.
Talk of the Town
A favorite Verdi performance from Krunoslav
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
A favorite Verdi performance from Michael M. Landman-Karny
Nadine Sierra‘s Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi’s lines were being discovered in the moment rather than executed.
Nadine Sierra‘s Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi’s lines were being discovered in the moment rather than executed.
A favorite Verdi performance from Moe Rear
Tito Gobbi‘s performance of Rigoletto’s “Cortigiani, vil razza dannata” offers the most musically and dramatically complete portrait of Verdi’s tortured court jester that I have ever heard.
Tito Gobbi‘s performance of Rigoletto’s “Cortigiani, vil razza dannata” offers the most musically and dramatically complete portrait of Verdi’s tortured court jester that I have ever heard.
A favorite Verdi performance from Quinn Kelsey
I’ve looked to Sherrill Milnes many a time for insight and guidance whenever I’ve added a new Verdi role to my repertoire.
I’ve looked to Sherrill Milnes many a time for insight and guidance whenever I’ve added a new Verdi role to my repertoire.
A favorite Verdi performance from Leyla Gender-Bender
Stiffelio has always been the dark horse of early Verdi operas.
Stiffelio has always been the dark horse of early Verdi operas.
Happy 86th birthday actress and songstress Julie Andrews!
Trove Thursday offers two very different live recordings of Halévy’s grand opera La Juive.
On this day in 1996 the Metropolitan Opera opened its season with a revival of Andrea Chénier.
The cabaret at Saint Ann’s Warehouse delivered frothy fun and a dollop of pathos with Anthony Roth Costanzo and Justin Vivian Bond in Only an Octave Apart.
A snarky commentator might dub last night at the Met “Boris of the divo hair flip” but that would do a disservice to a serious, often effective performance of the challenging original version of Mussorgsky’s masterpiece.
On this day in 2003 the Metropolitan Opera opened with a revival of La traviata featuring Renée Fleming as Violetta.
With composer Terence Blanchard and librettist Kasi Lemmons‘ incendiary Fire Shut Up in My Bones, the Met makes long overdue history and Will Liverman ascends to superstardom.
This is an exuberant, uplifting, and joyous Elisir, and, for once, it was actually laugh-out-loud funny.
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