Cher Public

Henson Keys

Henson Keys (AKA “actfive”) is a Chicago-based actor and director who fell in love with opera while working for the Met Ticket Service in NYC in the early 80’s. An Equity actor since 1974, he has performed in over 130 roles in New York and regional repertory including 46 productions of Shakespeare. From 1999-2015 he was Chair of Acting Programs at the University of Illinois, Urbana-Champaign, having previously led programs at Ohio University and the Alabama Shakespeare Festival. He also writes opera CD/DVD reviews for Opera News.



Great Chicago fire

If sheer clarion vocalism is what draws you to the opera, then hie thee to Lyric Opera of Chicago’s rousing revival Of Verdi’s Il Trovatore, the oddly plotted but musically sublime opera that opened last night in the David McVicar production, originally seen in 2006.   Read more »

First action hero

After a so-so Rheingold and a much better Walkure, director David Pountney and his splendid designers have brought Lyric Opera of Chicago a visually spectacular Siegfried full of daring ideas, much-needed humor, excellent singing and acting, tongue-in-cheek anachronisms, and vivid storytelling.  Read more »

Beyond the sea

Before Sunday afternoon, I’d only seen one performance of Mozart’s Idomeneo, some 35 years ago at the Met.  I don’t remember much about that Met matinee, certainly nothing of William Lewis in the title role.  Read more »

Best in snow

Lyric Opera of Chicago resumed its season on Wednesday evening with the new-to-Chicago production of Puccini’s perennial audience pleaser La bohème.

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E lucevan le stelle

The Stars of Lyric Opera weren’t under the stars last night, prevented by a persistent cloud bank, but they nonetheless provided a stirring evening of music in Chicago’s Millennium Park.

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Jesus hopped the L train

Just a few years back it would have been seen as ridiculous to put “Lyric Opera of Chicago” and “Jesus Christ Superstar” in the same sentence.

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Thanks for scaring

I found Fellow Travelers intellectually and politically riveting, musically thrilling, and profoundly moving. It was a triumph. 

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Reframing

The production is at all times visually arresting, but it’s also extremely distracting.

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