A mouth so fair it must be kissed
“What a day, what a day for an Auto-da-fe!” and it’s also always a good day for Candide, so Chris’s Cache presents a pirate recording of a 1971 staging starring Mary Costa, Frank Porretta, and William Lewis.
14 pieces since 2018.
“What a day, what a day for an Auto-da-fe!” and it’s also always a good day for Candide, so Chris’s Cache presents a pirate recording of a 1971 staging starring Mary Costa, Frank Porretta, and William Lewis.
On Saturday at Alice Tully Hall, Julliard 415, the school’s top-flight period-instrument ensemble, was joined by students from the Marcus Institute for Vocal Arts and Juilliard Drama for a rare semi-staging of King Arthur.
Ms. Damrau unleashed a Blitzkrieg of charm upon her audience.
Watching Gloria Grahame—lips moist and parted, eyes staring off into some faraway middle distance—is absolutely arresting. She looks like the quintessential Noir femme fatale that was, in fact, probably her principal calling card.
Time to stop being coy, I think. You and I had quite different takeaways on the show, didn’t we?
It’s 2020, Ivo’s the new Ethel Merman, and I caught a preview of his fourth Broadway show and first Broadway musical, West Side Story.
Upon its commercial release three weeks ago, Tom Hooper’s film adaptation of Cats garnered instant, near-universal scorn from audiences and critics alike.
“Die Zauberflöte is an opera!” “No, it’s the first musical comedy!”
Within minutes, something wonderful happened. None of my reservations mattered.
Kiss Me Kate is a sophisticated soufflé of a show: a comedy of manners, requiring effortless verve and elegance in the playing.
The New York Gilbert and Sullivan Players (NYGASP to its friends) is giving Sullivan’s most operatic score a dusting off (or should one say dusting-up?) at the Kaye Playhouse at Hunter College.
Sunny, lakeside Cooperstown presents a peppy, exuberant, winning production of West Side Story, the musical.
In the final installment of this interview, the star discusses the enduring appeal of Carousel.
In the third part of this interview with John Raitt, the singer speaks in great detail how he was cast in his breakthrough role of Billy Bigelow in Carousel.
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