Hold! Enough!
The timing for Boston Lyric Opera’s production of Macbeth this weekend was perfect for Halloween, though the show itself at the Emerson Colonial Theatre was decidedly less spooky.
141 pieces since 2007 — in 1 role, at 11 companies, most often at Metropolitan Opera.
The timing for Boston Lyric Opera’s production of Macbeth this weekend was perfect for Halloween, though the show itself at the Emerson Colonial Theatre was decidedly less spooky.
The little opera companies of New York are like chanterelles.
Claudio Abbado passed away on the 20th of January five years ago, just months before I began my Ph.D.
When handing out the goodies, the gods weren’t stingy with Shirley Verrett. Few opera singers were as prodigiously gifted as Verrett: the perfect amalgam of Kunst and Stimm housed in a frame of voluptuous allure. In addition to an instrument of stunning natural beauty and easy range, Verrett displayed superior musicianship, dramatic intelligence and searing […]
Hie thee hither to the Lyric Opera House!
My blood sure boiled at this revival of the Met’s utterly punchable production of Macbeth.
Wednesday brought the Met’s “real” season opener, an indelible, indispensable night at the opera: a starry revival of Verdi’s Macbeth crowned by Anna Netrebko’s demented Lady.
Apparently, opera fans got the bright side of the bargain: say “Macbeth” in the theater and you court cataclysm; utter the name in the opera house and, as often as not, you merely predict disappointment.
There’s nothing like a good performance of Verdi’s Macbeth and here is proof positive because this dvd is (almost) nothing like a good performance.
In the 1847 version of Macbeth, the forces of Teatro Nuovo lacked the thunderous punch this music can pack, but provided a pleasant ride
This new production of the 1847 original version of Verdi’s first stab at Shakespeare features the extraordinary performances of Luca Salsi and Anna Pirozzi as the Thane of Cawdor and his merry wife.
Once again, La Cieca can do no better than to quote the ineffable BAB, who says, “The beauty of the Saturday afternoon Chats this summer has been that everyone picks what they want and then we compare notes with what’s happening elsewhere. Ordinarily I make no recommendations, but I have decided to do things differently […]
Washington National Opera’s second full-run offering of the season, a new production of Verdi’s perennially appealing Macbeth, premiered last Wednesday at the Kennedy Center.
A new production of Verdi’s Macbeth? At the Wiener Staatsoper? At a 192 Euro top? And this is what you get?
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