Night of the comet Night of the comet

The American Opera Society introduced many important singers to New York City audiences, but few were as controversial as the Greek soprano Elena Souliotis; Trove Thursday offers her local debut (at age 23) in Anna Bolena with Marilyn Horne, Janet Baker, Plácido Domingo and Carlo Cava.

I, Franco I, Franco

Franco Corelli was born on April 8, 1921 in Ancona and Trove Thursday celebrates the matinee-idol tenor’s centenary with a pair of his rare non-Met US appearances; seducing Marie Collier in La Fanciulla del West and vacillating between Ilva Ligabue and Grace Bumbry in Il Trovatore.

Fascinating but frustrating Fascinating but frustrating

Now, through the auspices of the Metropolitan Opera, we have Sonya Yoncheva—and if anything, the diva-dom has been kicked up a notch!

The boys from Syracuse The boys from Syracuse

Trove Thursday begins February with two striking versions of Rossini’s Tancredi.

The Lady Eve The Lady Eve

For nearly 70 years, New York City was the world capital of concert opera thanks first to the American Opera Society, then to Eve Queler’s Opera Orchestra of New York.

That’s what friends are for That’s what friends are for

Erato’s irresistible Rossini collection Amici e Rivali is hands down my favorite vocal CD of 2020, featuring the inspired bravura sparrings of Lawrence Brownlee and Michael Spyres.

Truth or dare Truth or dare

On the 21st of this month Romanian soprano Virginia Zeani will celebrate her 95th birthday and Trove Thursday salutes her versatility with two markedly different 20th century works: Menotti’s The Consul and Mascagni’s Il Piccolo Marat, one of many collaborations with her husband Nicola Rossi-Lemeni.

One Moore night One Moore night

While the Met reruns over-familiar HDs, Trove Thursday offers a Puccini rarity: Edgar, the composer’s second opera, starring Latonia Moore and Marcello Giordani.

Five years later Five years later

Trove Thursday began on September 10, 2015, so today we celebrate the podcast’s fifth birthday with a diva-starry Aïda double-bill: Galina Vishnevskaya vies for her soldier-hero with Irina Arkhipova, then Jessye Norman wins the guy (but loses her life) in spite of Mignon Dunn.

American woman American woman

Trove Thursday presents Alzira—derided by some as Verdi’s worst opera—in a 1968 Carnegie Hall concert with Gianfranco Cecchele, Louis Quilico (star of last night’s Met Rigoletto stream) and Elinor Ross, who died in March at age 93.

Wild horses Wild horses

This video recording of Il trovatore is sensational for all the right and wrong reasons simultaneously.

“Savage” love “Savage” love

Trove Thursday offers a problematic yet fascinating work that would almost certainly not be staged today: Il Guarany by Carlos Gomes featuring João Gibin, Gianna d’Angelo, Piero Cappuccilli and Nicola Zaccaria.

Armida Armida

Conducted by Riccardo Frizza; starring Renée Fleming, Lawrence Brownlee, John Osborn, Barry Banks and Kobie van Rensburg. Transmitted live on May 1, 2010.

The last time I saw Paris The last time I saw Paris

Trove Thursday goes mini-epic with Gustave Charpentier’s naturalistic slice-of-life of fin-de-siêcle Paris in a rare 1999 Renée Fleming performance of Louise co-starring Jerry Hadley, Samuel Ramey and Felicity Palmer.

I want to break free I want to break free

Many now have scads more time for listening so Trove Thursday will offer several epic operas during May beginning with Rossini’s Guillaume Tell (this week aka Guglielmo Tell) in a concert performance featuring Giuseppe Taddei in the title role and Teresa Zylis-Gara and Franco Bonisolli as the war-crossed lovers.

To love the language To love the language

With most of us dug in for the duration, there’s no better time to tuck into a CD box set of neglected treasures. Not that I needed an excuse, mind you.

Utterly bewitching Utterly bewitching

Who could doubt that Leontyne Price contains multitudes?

A soldier’s play A soldier’s play

On this day in 1959 Alban Berg‘s Wozzeck had its Metropolitan Opera premiere.

Roberto dangerously Roberto dangerously

For those of you keeping track at home that’s four substitutions for three roles and the curtain hasn’t even gone up yet.

General, not specific General, not specific

While Russell Thomas admirably goes toe to toe with Otello (and Otello) in a thoughtful and self-aware way, the assumption feels like a work in progress if not an outright mismatch with his vocal gifts.

The long listen The long listen

A conversation with maestro Gil Rose of Odyssey Opera.

First and foremost First and foremost

They say you never forget your first.

“I am finding my way as I go” “I am finding my way as I go”

The musical director of the Opera Royal de Wallonie at Liege is currently experiencing the early phase of a promising international career in music.

There is no spoon There is no spoon

Can a work with indisputably great music fail to add up to a successful opera? I puzzled over that Sunday during Teatro Nuovo’s essential concert staging of Rossini’s La Gazza Ladra at SUNY Purchase.