In this video from 2015, soprano Lisette Oropesa makes her role debut as Violetta in a new production of Verdi’s La traviata at the Academy of Music.
By La Cieca
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Evelino Pidò leads Lisette Oropesa, Benjamin Bernheim and George Petean in this live broadcast from the Vienna State Opera.
By La Cieca
Only time can tell if some performances enter the collective opera memory, if such a thing even exists, as “historical”
A concert performance featuring Lisette Oropesa, Joyce DiDonato and Michael Spyres, with Il Pomo d’Oro Choir and Orchestra conducted by Maxim Emelyanychev.
By La Cieca
Ombra Compagna, out today on Pentatone, spotlights Lisette Oropesa in 10 of Mozart’s most challenging concert arias accompanied by Il Pomo d’Oro conducted by Antonello Manacorda.
Opera Philadelphia Channel invites viewers to revisit a 2015 production of La Traviata, captured on the Academy of Music stage, that’s notable for Lisette Oropesa’s debut as Violetta Valéry.
With Christian Nickel, Lisette Oropesa, Emanuela von Frankenberg, Regula Mühlemann, Stella Roberts, Goran Juric, Andreas Grötzinger, Daniel Behle, Christian Natter, Michael Laurenz, Ludwig Blochberger.
By La Cieca
A recent I Masnadieri with risen stars Lisette Oropesa and Russell Thomas.
By La Cieca
The season’s second cast delivered a satisfying, if not transcendent, La Traviata at the Met last night as they struggled to emerge from piles of jewel tone brocade and gold filigree.
Sunday’s Richard Tucker Gala at Carnegie Hall was unusually satisfying despite a less than usually superstarry line-up.
The opening night of a new production of Verdi’s opera (plus Lisette Oropesa‘s La Scala debut!) will be broadcast live starting at 2:00 PM.
By La Cieca
The Metropolitan Opera has named soprano Lisette Oropesa as the winner of the 14th annual Beverly Sills Artist Award.
By La Cieca
The Richard Tucker Music Foundation announced today that Lisette Oropesa has been named as the winner of the 2019 Richard Tucker Award.
By La Cieca
Lisette Oropesa sang “The Lost One”—the meaning of “traviata.”
I have an idea (soon to be angrily debunked in the comments section) that Le nozze di Figaro is rarely a source of unalloyed bliss to the chronic operagoer.
By Greg Freed
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
By La Cieca
