Cher Public

The trouble with Norma

The tides in casting Norma are gradually changing. If one looks at trends in the last 40 or so years, the most successful Normas are mainly those who’ve made not just bel canto, but Bellini as a mainstay in their repertoire.  Read more »

The priestess with the mostest

You may find this difficult to believe, but Bellini’s Norma didn’t initially make a significant impression on me back in the early 1980s when I first started listening to, and collecting complete operas on LP and later, video.  Read more »

Elements of style

Edita Gruberova essentially revived and propagated the bel canto repertoire in central Europe, specifically in the German-speaking countries. Her influence in this realm has resulted in opera houses in this region putting these works in as part of repertory staples.  Read more »

Laughing song

It can be confidently asserted that Edita Gruberova is one opera’s most gifted comediennes. 

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Sie ist eine Meisterin im Improvisieren!

No 50th anniversary career tribute would be complete without covering Edita Gruberova’s legendary status as the premier Zerbinetta of her long reign in the role!

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Königin of Mozart

The third installment of my 50th anniversary tribute to Edita Gruberova was impossible to narrow down to one selection.

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The first time ever I heard her voice

The Summer of 1983 is when “it” happened.

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Sì bella, sì pura, del ciel creatura

In observance of Edita’s Gruberova’s 50th anniversary in opera, I would like to offer a series of commentaries, over successive days, of my favorite performances.

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