BAM is back!
David Fox and Cameron Kelsall review Rebecca Frecknall’s new staging of A Streetcar Named Desire at BAM, “a gripping realization that makes new a play many of us feel we know inside out.”
Taylor Mac isn’t known for being short-winded.
Angel Island seemed a piece with two simultaneous goals: to musically interpret the poetry of Angel Island detainees and to educate its audience on the history of Asian and particularly Chinese immigration to America.
People these days often exclaim “…..is everything!” but often it feels like gross hyperbole. But surely anyone who has seen Mark Morris’s L’Allegro, il Penseroso ed il Moderato since it premiered in 1989 would agree that it is indeed everything!
The story shows what may happen when corrupt individuals occupy positions of trust.
The most disappointing performance in 30 otherwise glorious years of William Christie and Les Arts Florissants visiting New York City.
Mark Morris’ saucy, psychedelic The Hard Nut has returned to the Brooklyn Academy of Music yet again this week for its 27th Christmas since the ballet premiered in Brussels.
At the opening of the Scottish Opera’s 2017 production of Turnage’s opera Greek, I was very sorry I’d missed Anna Nicole.
BAM brings us a political opera featuring… literal balancing acts.
Matthew Aucoin’s Crossing depicts Walt Whitman’s experience serving wounded soldiers in a DC infirmary and chronicles the period’s tragic effects.
This black-box recital was an aggressively Gallic affair
I reckon marketing a sex-themed opera in Brooklyn should be like selling bacon-flavored froyo in Vermont.
David Lang is, per The New Yorker, a “postminimalist enfant terrible.”
Our Own JJ confesses he just doted on Heartbreak Express, but “You Us We All was not my cup of twee.”
Donkey dick and other Asian Fusion vaudeville acts arouse “The BAM Effect” at Handel’s Semele.
The advance publicity about Zhang Huan’s production of Handel’s luscious Semele currently having its US premiere at the Brooklyn Academy of Music prominently featured a provocative claim.
Meredith Monk and her Vocal Ensemble (five singers besides Monk, plus three instrumentalists) are giving a program called On Behalf of Nature through Sunday at BAM’s Harvey Theater.
As One is an opera about a boy growing up to discover that he is a girl.
When Winston Churchill was First Sea Lord, the story goes, an indignant admiral accused him of violating British naval tradition, to which Churchill replied that the only traditions of the British Navy were rum, sodomy and the lash.
Is there anything more essentially operatic than the suffering of women?
“The queen of tabloid TV arrived at BAM Tuesday night in Anna Nicole, an opera brimming with wit and good taste. In other words, they got Anna Nicole all wrong.”
La Cieca now would like to extend a special offer to performing arts organizations in the Greater New York are who would like to join the parterre.com family of advertisers.
Of the two love stories that unfolded at David et Jonathas Wednesday night, it’s hard to say which was more moving.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
