Matthew Travisano has such doubts about Douglas Cuomo‘s opera recently seen at Opera Parallèle.
San Diego Opera presents a strongly directed and cast revival of Il barbiere di Siviglia.
The women were the highlights of Washington National Opera’s militaristic Aïda
The miracle workers at Boston Modern Orchestra Project and Odyssey Opera have published another premiere recording of a work that I’ve long heard of but never heard: Dominick Argento’s The Voyage of Edgar Allan Poe.
Wolf Trap Opera concluded its 2025 summer season last month with a production of Carmen that was vocally strong, though not entirely dramatically satisfying, amid challenging weather.
“[W]omen are interesting and important in real life. They are not an afterthought of nature, they are not secondary players in human destiny, and every society has always known that.” — Margaret Atwood, February 2017
On Friday, June 21st, Opera Parallèle – the Bay Area nomadic, contemporary opera company – together with the Presidio Theatre unveiled their final production of the season, the West Coast premiere of Gregory Spears and Greg Pierce’s Fellow Travelers, an adaptation of Thomas Mallon’s 2007 novel of the same name.
The program for Jasmine Rice LaBeija’s concert as part of Works & Process at the Guggenheim on Wednesday, March 8 read a bit like a curriculum vitae.
Celebrating Independence Day didn’t seem like a great idea in recent years, but for hope-filled 2021 Trove Thursday offers El Capitan, John Philip Sousa’s best-known operetta.
Minnesota Opera’s stab at boosting revenue with extra performances of something surefire never caught fire.
Joel Puckett and Minnesota Opera hit it out of the park.
The chaos is nonstop, the comedy is broad and physical, and requires a large ensemble of singers who can execute Rossinian polysyllabic patter while taking pratfalls.
Beautiful singing, thoughtful staging, lovely melodies… a perfect escape from daily life.
La Cieca regrets to say it’s time to step back from the gratuitous display of bare skin in opera.
What if you could time travel back to the first run of Giuseppe Verdi’s first great success Nabucco?
Erin Wall was an elegant, warm, and sensitive Arabella.
A rollicking performance of his delightful comic opera Der geduldige Sokrates featuring a fine cast and the magnificent Akademie für Alte Musik conducted by René Jacobs.
Seven characters step forward and sing a rousing opening number, “The Party Goes On,” accompanied by images of job lines, Hoovervilles, and soup kitchens.
Silent Night is in a sense a giant middle finger raised against the conventional wisdom that musical sophistication requires inscrutability.
Friday night Music Director James Conlon sold Die Entfürhung aus dem Serial to a tony crowd of Angelenos.
The Hänsel und Gretel discussions over the holidays plunged me down a YouTube rabbit hole.
The Manchurian Candidate is indeed operatic: outsized characters, a doomed love story and a narrative fraught with suspense.
Sneaking in under the wire during the final week of May were two highpoints of New York’s opera season: the Cleveland Orchestra’s Salome with a stunning Nina Stemme and operamission’s revelatory US stage premiere of a complete edition of Handel’s first opera Almira.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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