Robust possibilities
After success at the Met as Turandot and before a historic Medea, soprano Anna Pirozzi talks to Harry Rose about her voice, her repertoire, and where her “second explosion of career” is taking her.
24 pieces since 2008.
After success at the Met as Turandot and before a historic Medea, soprano Anna Pirozzi talks to Harry Rose about her voice, her repertoire, and where her “second explosion of career” is taking her.
Brendan Latimer hitches a ride with members of the “site-responsive opera” movement who are taking their shows out of the opera house — and out of the box.
A uniformly strong cast triumphs over a dull production of Don Carlo at the Dallas Opera.
Ahead of their opening in Don Carlo in Dallas tonight, Christopher Corwin chats with Nicole Car and Étienne Dupuis — and offers a special edition of Chris’s Cache!
Tobias Kratzer‘s Das Rheingold in Munich kicks off a Ring for the post-secular age
A live streaming performance from The Dallas Opera.
Judith Malafronte sits down with bass David Leigh who debuts as Rocco in Washington National Opera’s production of Fidelio next week
This July, Munich played host to hordes of football fans in town for the European Championship—and arguably the two finest working sopranos today.
In 1982 I saw Turandot at the San Francisco Opera, the year after I became an opera fan, and it was my first live opera.
Chris’s Cache celebrates Ewa Podles‘s long connection with Handel by featuring her in three complete, decidedly un-HIP operas spanning over twenty years
Now the opera world can have a taste of what an immersive opera looks like, as Opera Parallèle opened their spectacular world premiere of Everest: An Immersive Experience .
The great Spanish mezzo soprano Teresa Berganza died on May 13 at the age of 89, so Trove Thursday salutes one of its favorites with a pair of dazzling rare live Mozart performances.
For those of you keeping track at home that’s four substitutions for three roles and the curtain hasn’t even gone up yet.
“Trove Thursday” presents Purcell’s remarkably concise Dido and Aeneas in a pair of fascinatingly different interpretations.
“Trove Thursday” escapes to an exotic place with Rimsky-Korsakov’s Sadko.
Lightning struck again here when, after a wait of 39 years, San Francisco Opera unveiled a new production of Donizetti’s Roberto Devereux.
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