Drama, Queen Drama, Queen

Lightning struck again here when, after a wait of 39 years, San Francisco Opera unveiled a new production of Donizetti’s Roberto Devereux.

Making out like a bandit Making out like a bandit

“Trove Thursday” turns for the third of Verdi’s four Schiller adaptations to a recent I Masnadieri with risen stars Lisette Oropesa and Russell Thomas.

Family values Family values

A regular day in 2018 Washington, D.C., or Verdi’s Don Carlo?

The girl next door The girl next door

>Verdi’s marvelous yet neglected Luisa Miller finally returns to the Met later this month after an absence of a dozen years so “Trove Thursday” provides a preview.

Reason to believe Reason to believe

I was extraordinarily happy Monday evening to encounter Angel Blue and Russell Thomas as Mimi and Rodolfo.

Simultaneous transformation Simultaneous transformation

For those who thought opera to be a rare enough commodity that there shouldn’t be duels, Saturday night in the Berkshires offered the odd rebuttal.

In the River Rhine.  In it. In the River Rhine.  In it.

It is always a pleasure to hear a great orchestra take on a major score that might sound half-muffled emerging from the pit of an opera house.

Crate expectations Crate expectations

Not a few eyebrows arched on social media when L.A. Opera appropriated the hashtag “Fight like a girl” on street level poster adverts all over town for the revival of their 2013 production of Giacomo Puccini’s Tosca. 

Occult following Occult following

Radvanovsky delivered a vocal and histrionic performance that should be the gold standard Norma for years.

Conversion narrative Conversion narrative

Blood-and-guts singing is the reason to see Nabucco at the Metropolitan Opera this season.

Going Hollywood Going Hollywood

The Hollywood Bowl is truly the preeminent musical venue in Los Angeles.

Dark vittoria Dark vittoria

There is a self-effacing quality to Jonas Kaufmann’s concert film An Evening with Puccini.

The rite stuff The rite stuff

Remember that time you went to the opera and the entire evening was perfection?

Text appeal Text appeal

What makes Norma such a high-profile role in the soprano repertory?

The year in Corwin The year in Corwin

New York City isn’t a bad place to live, operatically-speaking.

The year in Greg The year in Greg

I would love to contribute a top ten list but I didn’t even go to ten things this year.

Running, jumping, or burning Gaul Running, jumping, or burning Gaul

Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise.