Occult following
Radvanovsky delivered a vocal and histrionic performance that should be the gold standard Norma for years.
40 pieces since 2014 — in 21 roles, at 15 companies, most often at Metropolitan Opera.
4 pieces as Pollione — stats above show all coverage for Russell Thomas.
View allRadvanovsky delivered a vocal and histrionic performance that should be the gold standard Norma for years.
Remember that time you went to the opera and the entire evening was perfection?
What makes Norma such a high-profile role in the soprano repertory?
Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise.
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