Quite simply, the singers are not around today who are steeped in the tradition of verismo, or for that matter the later part of the 19th century.
To get right to the point, the performance did not come together despite some good elements and was a major missed opportunity.
On paper, the Met’s revival of L’elisir d’amore looked like a lovely evening. And at times it was—a few scenes hinted at what it could be and what it might yet become.
Your favorite box set-aholic here completely missed the release last August of Giuseppe Di Stefano – Complete Decca Recordings in honor of the great tenor’s centenary.
We can delight in films that make use of motif to give opera-lovers an extra little jiggle.
Wagner must intrude at some point because he invented film music.
My first exposure to Lucia di Lammermoor came under the auspices of The Three Stooges.
Trove Thursday relishes neglected works, operas in translation and irreplaceable divas, and this week it presents a pair that embody all three affections: Cherubini’s Les Abencérages and Weber’s Oberon in Italian with the glorious Anita Cerquetti, conducted by Carlo Maria Giulini and Vittorio Gui respectively.
One of the more unfortunate losses from the Met’s closure is its revival of Simon Boccanegra, so Trove Thursday steps up with a 1975 Berlin performnace of Verdi’s dark masterpiece with Ingvar Wixell, Gundula Janowitz, José van Dam and Bruno Prevedi.
Elina Garanca was radiantly present at Carnegie Hall Friday night performing a ravishingly somber Rückert-Lieder with Yannick Nézet-Séguin and the MET Orchestra.
“Trove Thursday” keeps the evil deeds going this All Saints’s Day with a vintage La Scala broadcast of Arrigo Boito’s only completed opera Mefistofele.
C-major has made available the first DVD/Blu-ray of Franco Faccio’s Amleto.
The second half of Warner Classics’ Maria Callas Live Remastered set represents the years 1954 to 1964 in the career of La Divina.
A live Un Ballo in Maschera featuring Jon Vickers, Amy Shuard, Lucia Popp, Shirley Verrett and Peter Glossop.
When people talk about an opera “production,” they tend to mean “the sets and costumes,” that is, the physical production.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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