Lucas Meachem

25 pieces since 2015 — in 13 roles, at 7 companies, most often at San Francisco Opera.

25 pieces
13 roles
7 companies
12 years

Role Choroebus

Role Count Almaviva

A delicate balance

For anyone who thought that Downton Abbey, with its plot lines divided between the gentry and their faithful (or not-so) servants was somehow unique, that particular tale, and lo its many variations, has been told in one form or another since Pierre-Augustin Caron de Beaumarchais put quill to paper in 1778 with La Folle Journée, ou Le Mariage de Figaro.

By 14 comments

Role Count di Luna

Role De Siriex

Poison of interest

Following new productions of Tosca in 2017, Adriana Lecouvreur in 2018, and the Anna Netrebko-led Puccini orgy of 2019, New Year’s Eve at the Met has come to signify that verismo, as this school tends to be known, is still kicking.

By 70 comments

Role Don Giovanni

Role Figaro

Role Germont

Role Guglielmo of Baskerville

Role Marcello

Role Mercutio

Role Prince Yeletsky

Role Sharpless

Looking for Trouble

The ailing and grief-stricken Pinkerton was shown to give his son a diary about his time in Nagasaki, and as Trouble read it, he (and the audience) was taken back in time as the story came to life, similar to the use of Pensieve in Harry Potter and the Goblet of Fire (Book 4).

Role Wolfram

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