A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
118 pieces since 2007 — in 8 roles, at 7 companies, most often at Metropolitan Opera.
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
It’s time to discuss Zinka Milanov.
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
Sony Classical has now released “Leontyne Price Prima Donna Assoluta” containing nearly her entire operatic oeuvre in a box set.
A great man has passed and our consolation is that so much of his art has been preserved for us on recordings.
Off-and-on since last fall my PPP (Personal Pandemic Project) has been assembling a chronology of the American Opera Society. For 19 years beginning in 1951 it presented a remarkable series of concert performances of works unperformed by either the Met or New York City Opera.
Franco Corelli was born on April 8, 1921 in Ancona and Trove Thursday celebrates the matinee-idol tenor’s centenary with a pair of his rare non-Met US appearances; seducing Marie Collier in La Fanciulla del West and vacillating between Ilva Ligabue and Grace Bumbry in Il Trovatore.
He has conducted some of my favorite opera recordings.
The air held a real charge that night in SF’s War Memorial Opera House.
For me, one of the greatest recordings is the Von Karajan Il trovatore. You have four incredible singers in their top form.
As said at the beginning, I implied I’d rather see Don Carlo(s) and listen to Forza.
On this day in 1961 the Metropolitan Opera presented the historic debuts of Leontyne Price and Franco Corelli in Verdi’s Il trovatore.
“Trove Thursday” drafts a 1960s All-Star team for Verdi’s Il Trovatore broadcast from the Teatro Colón.
Serious opera fan and internet pioneer Mike Richter died earlier this week.
“The function of prayer is not to influence God, but rather to change the nature of the one who prays” – Soren Kierkegaard
Giacomo Puccini’s La fanciulla del West may have its detractors (Stravinsky referred to it as a “horse-opera’) but you will not find me among them.
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
Your favorite box set-aholic here completely missed the release last August of Giuseppe Di Stefano – Complete Decca Recordings in honor of the great tenor’s centenary.
Norman Dello Joio, who was knocking about winning prizes for film and TV scores, composed The Trial at Rouen, his second opera on the subject, for NBC.
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