Un paio in tre Un paio in tre

Christopher Corwin and Andrew Lokay provide dual perspectives on the National Symphony Orchestra‘s performances of Puccini’s triple-bill.

Tra voi belle Tra voi belle

Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.

“An opportunity to deliver” “An opportunity to deliver”

Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.

Drama therapy Drama therapy

Carmen in Brussels is dramatically vibrant, if vocally stretched

She has come, she has come She has come, she has come

I’ve been waiting (nearly) 20 years for another encounter with Samuel Barber and Gian Carlo Menotti’s Vanessa.

Don’t count out the Countess Don’t count out the Countess

In concert with Renée Fleming’s quietly authoritative stage presence, the performance offered frequent reminders of the special affinity between this singer and Strauss’s aristocratic women.

Don’t you forget about me Don’t you forget about me

It seemed like such a great idea on paper.

Approaching Valhalla Approaching Valhalla

Gianandrea Noseda leads seasoned Wagnerians in Andreas Homoki’s stark production of Die Walküre for Zurich Opera.

No sleep, no rest No sleep, no rest

Following last week’s Golden Cockerel, Trove Thursday offers another classic Russian opera not in Russian: Borodin’s Fürst Igor with Nelly Miricioiu, Marjana Lipovsek, Bodo Brinkmann, Evgeny Nesterenko, Robert Schunk and Sergei Koptchak conducted by Mark Ermler.

One night only One night only

Christine Goerke‘s distracted, tentative Isolde turned out to be the least potent feature of what was an otherwise exciting and effective second act of Tristan.

A talent to a Muse A talent to a Muse

Use bodily force and get your friends to one of the next five performances of the Met’s new production of Adriana Lecouvreur. It is everything!

Master peace Master peace

With Liber scriptus came the biggest discovery for me, the vocal talent of Elena Stikhina.

More than words More than words

This week’s star-spangled “Trove Thursday” offers the second crazy-quilt installment of divas in the wrong language.

That time of year That time of year

One of the greats of classical music, Franz Joseph Haydn was a bit of an “also-ran” as an opera composer.

Foolish love Foolish love

The Met ushers out this wretched year and rings in the new with an elegant and effective new production of Charles Gounod’s Roméo et Juliette.

Embroidered silk Embroidered silk

Maria Agresta‘s delicately-acted, sumptuously-sung seamstress transformed what might have been just an average Wednesday night revival into something finer.

A fire upon the deep A fire upon the deep

Returning after 99 years for the Met’s annual New Year’s Eve gala, Bizet’s youthful exercise in Orientalia Les Pêcheurs de Perles proved a real crowd-pleaser.

Be my guest! Be my guest!

James Levine turns 72 this year. Even though his health has improved considerably in the past year and he may continue to conduct for a decade or more, it seems inevitable that he will step down as the Met’s Music Director sometime in the next few years to assume the role of Conductor Laureate.

The year in Corwin The year in Corwin

New York City isn’t a bad place to live, operatically-speaking.

Bows and arias Bows and arias

Whenever opera-lovers are canvassed about what neglected operas they hunger to see revived, the resulting lists inevitably feature a goodly number of grand operas, those once wildly popular monstrosities–particularly by Meyerbeer–written primarily for Paris in the mid-19th century.

Lady be good Lady be good

Anna Netrebko‘ s new CD of Verdi arias seems to be a bold, defiant, “in your face” statement about the direction she is taking with her career.

And no bones! And no bones!

Apparently, opera fans got the bright side of the bargain: say “Macbeth” in the theater and you court cataclysm; utter the name in the opera house and, as often as not, you merely predict disappointment.

Dream a little dreamboat

Deutsche Grammophon has a new hunk on the market, ignoring the fact that he’s been around for twenty years. Ildebrando d’Arcangelo has been steadily building a career since the early 90s, getting a reputation as a reliable, intelligent artist with a supple bass-baritone. He has a lengthy career of singing with the greats under his…

Not quite Godunov

In the fall of 2010, director Andrei Konchalovsky and conductor Gianandrea Noseda struck up a collaboration for a new production of Mussorgsky’s Boris Godunov, to be performed at Teatro Regio Torino, co-produced with Palau de les Arts Reina Sofia of Valencia and Fondazione Lirico Sinfonica Petruzzelli e Teatri di Bari.