Il fascino immortale
Corinne Winters is back at the Met and back in the pages of parterre box, which inclines us to share a bit of Winters in Jenufa
Corinne Winters is back at the Met and back in the pages of parterre box, which inclines us to share a bit of Winters in Jenufa
A live performance streamed from the Wiener Staatsoper.
Francis Ford Coppola‘s Apocalypse Now (1979) uses Richard Wagner‘s “Ride of the Valkyries” to terrifying effect, depicting the brutality and horror of impersonal aerial warfare in the Vietnam War.
An impressively well-rounded revival of Francesca Zambello‘s production of Porgy and Bess concludes the Washington National Opera season
Chris’s Cache marks the arrival of Printemps in its many guises with three beguilingly cast performances of operas by Rimsky-Korsakov, Massenet, and Saint-Saëns
While Godfather III is definitely the weakest movie in the eponymous trilogy, partly due to a miscasting of Mary Corleone, I have nothing but praise for the wonderful, almost inspirational use of Cavalleria Rusticana in the finale of the movie.
The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters
The Met doesn’t have the monopoly on Salome this spring — look no further than Catapult Opera’s San Giovanni Battista which opens in Brooklyn next month.
Henze‘s opera in a live broadcast from the Maggio Musicale Fiorentino
The Talented Mr. Ripley x Eugene Onegin.
Rachel Willis-Sorensen is the winner of the 2025 Beverly Sills Award, per the Met press office
An innovative score and fluid production by Denyce Graves-Montgomery are highlights of Virginia Opera’s production of Loving v. Virginia
Seven Deadly Sins, Mahagonny Singspiel, and The Songs of Happy End live from Milan
Cameron Kelsall reports on a transcendent Jenufa from the Cleveland Orchestra
Wagner is used as incidental music or background to probably more films than any other operatic composer.
The (R)evolution of Steve Jobs at the Kennedy Center: not a poorly made opera, but so relentlessly mid.
Asmik Grigorian’s scorching turn in Il trittico in Paris has Nigel Wilkinson wondering, ‘what is it that makes Americans so weepy?’
Some of you may remember the 1987 thriller Someone to Watch Over Me.
Lydia Steier‘s production in a live video stream from Vienna
Interrupted Melody was the wonderful biographical film about the singer Marjorie Lawrence. I thought it was a wonderful blending of opera with a 1950s Movie.
Rolando Villazon stars in a performance of Monteverdi‘s opera from Salzburg’s Mozartwoche recorded in January
John Adams‘s newest opera in a live broadcast from New York
Tristan transcriptions for violin, piano, and orchestra.
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