Mañana por la mañana Mañana por la mañana

One might be surprised to not see the blusteringly charismatic Saioa Hernández mentioned amidst the litany of favorite under-appreciated sopranos. Then one hears what she’s been up to lately.

This magic moment This magic moment

Look, for one of the most-staged operas in the repertoire, Mozart’s Die Zauberflöte seems awfully difficult to stage.

Die Zauberflöte Die Zauberflöte

A live broadcast from New York

More people should listen to Dorothy Kirsten More people should listen to Dorothy Kirsten

Reading Dorothy Kirsten‘s autobiography twice last year made me revisit her work anew.

Haircut and paste Haircut and paste

Back to Rameau again this week with Samson at the Opéra Comique, my third Rameau production in as little as three months, after Les Fêtes d’Hébé in the same house, and Castor et Pollux at the Palais Garnier.

More people should listen to Dorothy Maynor More people should listen to Dorothy Maynor

I discovered this magical soprano when I was a teenager, and came across a mixed program RCA Victor LP recital.

New world coming New world coming

This week, Chris’s Cache highlights Bernarda Fink and Inga Kalna in an opera by Johann Gottlieb Naumann

More people should listen to Maria Caniglia More people should listen to Maria Caniglia

Maria Caniglia sings with unabashed commitment and honesty. She sings as if the music was born with her.

Stimme der Ungehörten Stimme der Ungehörten

All disciples of the box are reminded one final time to furnish operatic discussion material for the next quarter of The Talk of the Town

More people should listen to Ashley Putnam More people should listen to Ashley Putnam
Violent delights Violent delights

Some people were introduced to the art form listening to the Met’s NBC broadcasts on a glowing tube radio or watching acid-trip animated adaptations on the BBC or seeing Elmer Fudd sing, “Kill the Wabbit.” I came to opera through simulated drive-by shootings soundtracked by The Marriage of Figaro. 

Iolanta Iolanta

A live broadcast of Tchaikovsky‘s opera from Vienna starring Sonya Yoncheva

More people should listen to Aga Mikolaj More people should listen to Aga Mikolaj

Aga Mikolaj (born Agnieszka Beata Mikolajczyk) sang Strauss and Mozart with a gorgeous, shimmering tone.

More people should listen to Rosanna Carteri More people should listen to Rosanna Carteri

Not exactly obscure, but she has such elegance and poise

Festen Festen

Mark-Anthony Turnage‘s acclaimed new opera based on Thomas Vinterberg‘s film in a recent performance from Covent Garden.

<em>L’enfant et les sortilèges</em> and <em>Les mamelles de Tirésias</em> <em>L’enfant et les sortilèges</em> and <em>Les mamelles de Tirésias</em>

Hilda Harris and Catherine Malfitano in an 1981 broadcast to celebrate the 100th anniversary of Ravel‘s opera

More people should listen to Karolina Bengtsson More people should listen to Karolina Bengtsson

Karolina Bengtsson is just at the beginning – we are going to hear from her, I am quite sure…

From the House of the Dead From the House of the Dead

Karina Canellakis conducts Janácek‘s final opera live from Amsterdam.

Blue Saturday Blue Saturday

A grand concert from Angel Blue has Patrick Mack wondering, “where’s her crossover album?”

Unreleased cut Unreleased cut

Recent rapturous musings about Huw Montague Rendall and curiosity about Aigul Akhmetshina‘s return to the Met as Rosina in May have prompted the box to share a recent sample of the pair in “Dunque io son.”

More people should listen to Karan Armstrong More people should listen to Karan Armstrong

Never saw her in anything, only on You Tube videos and in a few recordings.

One more souvenir of bliss One more souvenir of bliss

This week, Chris’s Cache offers a performance of Follies from 2007 featuring Lucine Amara as a rarely richly sung Heidi alongside Donna Murphy and Victoria Clark.

More people should listen to Renée Doria More people should listen to Renée Doria

For me, Renée Doria epitomizes the best of French style – pointed diction, a slightly lemon-y timbre that cuts through any cloying sentimentality…..love her!

Yes and no Yes and no

William Kentridge‘s eclectic The Great Yes, The Great No arrives at Cal Performances.