A lion in winter
Sherrill Milnes sits down with Brendan Latimer to talk about his life, career, and what he hopes to pass along to the next generation
Sherrill Milnes sits down with Brendan Latimer to talk about his life, career, and what he hopes to pass along to the next generation
Eleanor Steber and Wolfgang Windgassen in the Act III bridal chamber scene of Lohengrin.
A performance recorded earlier today at the Bayreuth Festival
The groundbreaking director and designer of works like Einstein on the Beach died earlier today at his home in Water Mill, New York
Claus Guth mines urgent and contemporary commentary from Die Liebe der Danae in Munich.
This Bard production, led by Leon Botstein, makes the strongest possible case musically, dramatically and visually for Smetana’s opera Dalibor.
Mady Mesplé’s voice has, sadly, become an acquired taste.
The final installment of the 2025 Ring from Bayreuth
A revival of the furious I masnadieri at the Bayerische Staatsoper falls short of perfection – and there’s nothing wrong with that.
Mexican soprano Gilda Cruz-Romo died on 28 June at the age of 85 and Chris’s Cache remembers her with live recordings of a frequent role and a rather rare one: a last-minute Met Tosca plus perhaps her only stab at the Cherubini Medea.
A performance recorded earlier today at the Bayreuth Festival
I never got to hear Silja in person, and I suspect I should have for me to even begin to appreciate her.
Pénélope at the Bayerische Staatsoper’s summer festival spotlights the crossroads between the nostalgic and the progressive.
Matthias Davids‘s reactionary new production of Die Meistersinger von Nürnberg might be fun, but no one comes to Bayreuth for fun.
This clip is a strong case for leaving non-operatic music alone.
The third installment of the 2025 Ring from Bayreuth
A North American debut of a respectable French Baroque ensemble, an ebullient presentation of La fille du régiment, and an afternoon soiree in Wine Country proved to be the hottest (yet affordable!) tickets around here this Summer.
A performance recorded at The Santa Fe Opera earlier this summer
Parterre Box critics Emma Hoffman and Max Keller and friend of the Box Emery Kerekes talk what’s next for classical music criticism with Ben Gambuzza of The Best is Noise
In the 1847 version of Macbeth, the forces of Teatro Nuovo lacked the thunderous punch this music can pack, but provided a pleasant ride
A slightly delayed broadcast of the second installment of this year’s Ring from Bayreuth
Carmen Paddock and Mr. Portafiori aren’t getting the hype behind Ivo van Hove, Krzysztof Warlikowski, and Calitxo Bieito
A live broadcast from the Salzburg Festival
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