The Met should revive Armide

More action than in Gluck‘s other great works, and plenty of opportunities for scenic spectacle.

 

The title role is a profound study of the nature of love, and Armide here is both grander and more human than in the Rossini work. Fremstad, Caruso, Homer, Amato, and Toscanini don’t seem to be available for this revival, but it could be well cast today.

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