Martina Arroyo 1937-2026
The versatile American soprano, a staple at the Metropolitan Opera and one of the most important Black opera singers of the 20th century, has died at 89.
The versatile American soprano, a staple at the Metropolitan Opera and one of the most important Black opera singers of the 20th century, has died at 89.
Ah, so many choices from my repertoire.
In its third revival, Lyric Opera of Chicago‘s production of Don Giovanni nails its predatory Don — but falls short dramatically with its donne.
Ahead of the world premiere of Lincoln in the Bardo next week, Carmen Paddock looks at how presidents in opera can be both symbols of an idealized past and trenchant commentaries on the present.
I went for Nilsson, but the star for me was the exceptional Mignon Dunn.
Opera Baltimore strikes out with an uninspired production of Don Giovanni.
I find it unfathomable that Frederica Von Stade is 81 years old, for to me she is eternally 31.
In San Francisco, an autumnal Renée Fleming proves she can still work her magic with Strauss’s Four Last Songs.
Austin Opera inaugurates its new permanent home with Ofrenda, an intimate tribute to the city’s Latine community.
Irina Arkhipova gives a masterclass in singing in this thrilling excerpt from The Maid of Orleans by Tchaikovsky.
Two up-and-coming sopranos — Chelsea Lehnea and Marigona Qerkezi — make a splash across two nights in Stuttgart.
With ambition to spare, Boston Lyric Opera‘s William Tell shows that the state of American opera need not be depressing.
And then I remembered how much I love Cecilia Bartoli who was a major star when I first got into opera in my teens and remains so today.
Our critic reports on the bumper crop of young singers at this year’s Giargiari Bel Canto Competition in Philadelphia.
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