Some filth or dementia from Ben Miller
They should sell pay-per-view tickets to this like WWE.
They should sell pay-per-view tickets to this like WWE.
Bayreuth’s AI-powered “Ring 100010110” marred a first-rate cast and orchestra with nightmarish visuals and horrid dramaturgy.
To make a success of the Empress in Frau ohne Schatten, it is not enough to be a fine singer and a great actress.
Though, really, the young artists of the Merola Opera Program were more than alright in their annual showcase.
For those with Odyssey fever, this week’s Grand Tier Grab Bag item features a performance of another ancient epic: Les Troyens with Russell Thomas.
Love it or hate it, you can’t deny it’s iconic!
In Bayreuth, a confident Magnus Vigilius and luminous Jennifer Holloway attempt to elevate Wagner’s populist Rienzi.
I’ve only heard one performance that could be described as ‘filth.’
Calling from 2066, Brendan Latimer argues that the best way to save opera might be to just blow up the standard repertoire altogether.
American Bach led a stirring rendition of Handel’s Ode for St. Cecilia’s Day, full of big questions and even bigger musical highlights.
I could not wrap what’s left of my mind around the concept of “filth and dementia” in opera
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.