Some filth or dementia from Ivy Lin
Dementia and filth in the same clip!
Dementia and filth in the same clip!
Shakespeare Opera Theatre presented two American operas exploring themes of hypocrisy and deception — in a church!
Zémire et Azor, André-Ernest-Modest Grétry‘s riff on “Beauty and the Beast”, gets a rare outing in the Berkshires.
Malin Byström is a radiant water nymph in the Bayerische Staatsoper‘s house-of-horrors-set Rusalka.
Not really sure what was going on here.
Dmitri Tcherniakov‘s production of Der Freischütz in Munich may fire a few blanks, but the musicians are all on target.
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week’s Grand Tier Grab Bag.
Who doesn’t love a slightly murky archival recording?
The bonkers, bewildering Die ägyptische Helena begets a suitably lush musical and creative treatment at Bard SummerScape.
Just in time for this month’s theme of filth or dementia, a review of Terrence McNally‘s Master Class from Central City Opera.
Ma che brutta figura per la lirica!
The Bayerische Staatsoper’s summer festival wound down with Lotte de Beer’s darkly effective production of Gounod ’sFaust.
I sort of have a love/hate fascination with countertenors/male falsettists.
Karina Gauvin slays for the slayed. Werk Bitch.
Zubin Mehta was a major part of musical life when I moved to Southern California in 1969, having started his tenure as music director of the Los Angeles Philharmonic.
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