Recent Stories
The Metropolitan Opera delivers on the promise of Wagner’s Gesamtkunswerk in a revival of Robert Lepage’s Ring.
On this day in 1953 a revival of Porgy and Bess opened a 305-performance run at the Ziegfeld Theatre.
The gods are at it again.
Hearing Lucas Meachem perform Kindertotenlieder in the crypt of Harlem’s Church of the Intercession was a heart-warming, and ultimately uplifting experience.
Born on this day in composer Samuel Barber (1910) and conductor Thomas Schippers (1930).
Così fan tutte, Mozart’s final Italian comedy with Lorenzo Da Ponte, is this season’s heaviest lift for Philadelphia’s Academy of Vocal Arts (AVA).
On this day in 1976 mezzo-soprano Tatiana Troyanos made her Metropolitan Opera debut as Octavian.
Let’s all sing “O terra addio” to the those crumbly styrofoam pharaoh toes.
Grand Tier Grab Bag
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
It’s been a rough winter in Chicago, and an especially rough one for lead singers at Lyric Opera of Chicago
“Trove Thursday” leaps to the end of the cycle with a slightly abridged Götterdämmerung featuring Amy Shuard as Brünnhilde.
Happy 88th birthday soprano Mady Mesplé!
Happy 75th birthday soprano Kiri Te Kanawa.
Russell Thomas’s opening aria, “Del piu sublime soglio” displayed an intense attention to the text and some surprisingly beautiful piano phrasing that I’ve never heard risked before and it brought wonder and gooseflesh.
Sixty years ago today, Berg’s Wozzeck was first performed at the Metropolitan Opera.
Joyce DiDonato and her band fuse Italian Baroque bel canto classics, jazz ballads, and tunes from the Great American Songbook into one illuminating musical program.
On this day in 1830 Vincenzo Bellini’s I Capuleti e i Montecchi premiered in Venice.
Talk of the Town
A favorite art song performance by Harry Rose
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
A favorite art song performance from David Phillips
Does this count as an art song?
Does this count as an art song?
A favorite art song performance from Mr. Portafiori
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
A favorite art song performance from Mister Snow
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
A favorite art song performance from La Grunowa
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
A favorite art song performance from Ben Miller
It’s not where you start but where you Finnish
It’s not where you start but where you Finnish
The most disappointing performance in 30 otherwise glorious years of William Christie and Les Arts Florissants visiting New York City.
On this day in 1970 mezzo-soprano Marilyn Horne made her Metropolitan Opera debut as Adalgisa.
The Met season’s final performance of the Donizetti romcom begins at 1:00 PM.
Birthday anniversaries of composers Kurt Weill (1900) and Marc Blitzstein (1905).
La Cieca is delighted to announce that the most popular posts for the month of February dealt primarily with the Met season yet to come.
Sondra Radvanovsky returned for her 29th Met Aïda Thursday night (but only her second Aïda.)
La Cieca and the gang down at parterre box extend our sincerest thanks to our angels whose largesse keeps our blog blogging: sponsors Carnegie Hall, Mirror Visions Ensemble and the Brooklyn Academy of Music.
On this day in 1913, the Met revived Manon with Geraldine Farrar and Enrico Caruso, Arturo Toscanini conducting.