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“È tutto amore! Chi a una sola è fedele, verso l’altre è crudele; io che in me sento si esteso sentimento, vo’ bene a tutte quante; le donne poiché calcolar non sanno, il mio buon natural chiamano inganno.”
On this day in 1962 conductor Ernest Ansermet made his in-house Metropolitan Opera debut conducting Pelléas and Mélisande.
Tonight’s broadcast of Tchaikovsky’s ghost story begins at 7:30 PM.
Over the past week New York City was blessed by two appealing 17th century presentations: John Blow’s Venus and Adonis from Opera Lafayette and La Storia di Orfeo courtesy of the Boston Early Music Festival.
Born on this day in 1895 film choreographer and director Busby Berkeley.
Anna Netrebko, in Milan preparing a new production of Tosca for La Scala’s opening night, fires back at an interviewer.
Trove Thursday explores the alpha and omega of Richard Strauss.
On this day in 1934 torch singer Libby Holman moaned the Howard Dietz and Arthur Schwartz standard “You and the Night and the Music” on the opening night of the musical Revenge with Music.
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
In preparation for her much-awaited Met debut, Lise Davidsen sings the arioso from Queen of Spades.
We’ve had a mini-fest of director Barrie Kosky’s work this year at LA Opera.
South African Jacques Imbrailo’s high-lying baritone did much to highlight the lyrical possibilities of the title role of Hamlet, originally conceived for a tenor.
On this day in 1951 the Metropolitan Opera opened its season with a new production of Aida, which featured the debut of African-American dancer Janet Collins.
Though no recording of Sunday’s lauded performance of Lohengrin from the Bayerische Staatsoper has yet surfaced, here are a couple of excerpts from Der Freischütz sung by Johanni van Oostrum.
A parterre box reader has had to cancel an opera trip to Germany scheduled from November 29 – December 6 and wants if possible to share his tickets with members of the cher public.
It’s that time of year again, cher public: the 47th 15th annual announcement of the recipients of the F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence!
On this day in 1961 soprano Joan Sutherland made her Metropolitan Opera debut as Lucia.
Talk of the Town
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
A favorite Verdi performance from Remko Jas
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Maestro Yannick Nézet-Séguin, always with a gift for gab, is ever more loquacious in concerts, often talking directly to the audience.
“Yusif Eyvazov will sing Hermann in the performances of Tchaikovsky’s The Queen of Spades on November 29 and December 2 and 5, replacing Aleksandrs Antonenko, who has withdrawn due to illness.”
Karita Mattila’s Ortrud, taut conducting, and a remarkable debut emerge from Richard Jones’s dreary Lohengrin Konzept.
A near-full house attended the Jessye Norman Memorial Celebration at the Met on Sunday afternoon, the auditorium packed with family, friends, colleagues, and fans of the late soprano, who passed away on September 30 of this year.
The Berta (mezzo-soprano Emily Damasco) runs away with the show.
On this day in 1959 Once Upon a Mattress transfered to the Alvin Theatre. The show, by composer Mary Rodgers, ran 450 performances and made a star of Carol Burnett.
httpvh://youtu.be/Lkqirt1qjsc Born on this day in 1848 soprano Lilli Lehmann. On this day in 1938 tenor Jussi Bjoerling made his Met debut as Rodolfo. Mafalda Favero also made her debut as Mimi.
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