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Listen and discuss, cher public, beginning at 12:55 PM. Photo: Marty Sohl/The Metropolitan Opera
On this day in 1981 Stephen Sondheim‘s Merrily We Roll Along opened at the Alvin Theatre, to run 16 performances.
The Metropolitan Opera announced today that longtime [almost 40 years!] Artistic Administrator Jonathan Friend will be stepping down from his position following the end of the 2019–20 season.
Opera San Antonio’s Board of Directors has announced E. Loren Meeker as General and Artistic Director.
Christine Goerke and Stephen Gould sing the second act of Wagner’s masterpiece under the baton of Gianandrea Noseda.
On this day in 1918 soprano Rosa Ponselle made her Metropolitan Opera debut (and her first appearance in opera!) as Leonora in La forza del destino.
Since 1934, Philadelphia’s Academy of Vocal Arts has been preparing emerging artists for operatic careers.
What is opera for if not to commemorate a national epic tragedy and triumph?
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Dame Judi Dench! Anna Netrebko! Anne Midgette! Need I say more?
A second Trove Thursday marking the recent passing of Jessye Norman focuses on the soprano’s catholic repertoire with three 20th century works: Stravinsky’s Oedipus Rex; Berg’s Altenberg Lieder; and Franck’s Les Béatitudes.
Born on this day in 1926 soprano Leonie Rysanek.
On this day in 1906 Alla Nazimova made her Broadway debut in the title role of Hedda Gabler at the Princess Theatre.
Sunday’s matinee at Lyric Opera of Chicago was my first experience of Heggie and McNally’s 2000 opera Dead Man Walking. It certainly won’t be my last.
Born on this day in 1939 soprano Lucia Popp.
On this day in 1993 Dvorak’s Rusalka finally appeared at the Met, with Gabriela Benacková in the title role.
Born on this day in 1889 film and stage actor Claude Rains.
Talk of the Town
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
A favorite Verdi performance from Remko Jas
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Friday evening’s Met premiere of Akhnaten was a resounding triumph and an outstanding testament to Philip Glass’s enduring operatic vision.
Born on this day in 1883 stage and film actress Edna May Oliver.
It seems a travesty that Philip Glass’s Akhnaten, one of the seminal works of the 20th by one of America’s most iconic composers, is only just receiving its Met premiere in 2019, some 35 years after its first performance!
On this day in 1965 bass Nicolai Ghiaurov made his Metropolitan Opera debut as Méphistophélès.
Yes, this is the image Lyric Opera of Chicago has chosen to promote its upcoming performances of Der Ring des Nibelungen on social media.
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