Entrances and exits
Leading the parterre box top ten for the month of February: a new season and the (apparent) end of a legendary career.
Leading the parterre box top ten for the month of February: a new season and the (apparent) end of a legendary career.
On this day in 1960 debonair Don Ameche donned yellowface to star in the notorious flop musical 13 Daughters, which ran 28 performances.
The 2020 finalists perform on the Met stage this afternoon for an audience of judges, agents, industry leaders, and the general public.
In the opera world, one of the pieces that underwent a multitude of changes in its reception was undoubtedly Richard Wagner’s longest and most Germanic opera, Die Meistersinger von Nürnberg.
On this day in 1836 Meyerbeer’s Les Huguenots premiered in Paris.
Christine Goerke‘s Bayreuth debut has been canceled.
Although I usually pretend that I don’t have the diva-worship gene, sharp-eyed readers of parterre box will know that since I joined the site in 2011 as “DeCaffarrelli” I have often swooned as an Ann Hallenberg-fanboi.
On this day in 1910 prima ballerina Anna Pavlova made her debut at the Metropolitan Opera in Coppelia (on a double bill with Werther!)
The season’s second cast delivered a satisfying, if not transcendent, La Traviata at the Met last night as they struggled to emerge from piles of jewel tone brocade and gold filigree.
Trove Thursday previews Massenet’s Werther—due to return next month at the Met—with a 1984 Paris performance starring two marvelous protagonists, Tatiana Troyanos and Alain Vanzo.
Born on this day in 1935 soprano Mirella Freni.
The fabulous Beth Malone is the Molly Brown of my dreams—forthright, bold, and a superbly gifted singer with just the right touch of country twang.
Jakub Józef Orlinski‘s “Stille amare” packed a lot of punch in terms of dramatic intensity.
Born on this day in 1802 author and playwright Victor Hugo.
Time heals almost everything, as Jerry Herman’s best score is stylishly resurrected.
Original Director Richard Jones and revival director Benjamin Davis have created a staging that veers wildly between fascinating and fatally flawed.
“I accept full responsibility for my actions, and I have grown from this experience.”
For those of you keeping track at home that’s four substitutions for three roles and the curtain hasn’t even gone up yet.
On this day in 1953 Rosalind Russell topped the bill on the opening night of Wonderful Town, with a score by Leonard Bernstein, and lyrics by Betty Comden and Adolph Green.
Opera for families may not generally be my thing, but I loved feeling like I was a tiny part of shaping a new opera.
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