Reviews
An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
The Met Orchestra Chamber Ensemble’s Das Lied von der Erde skirts the sublime at Carnegie Hall
The Jupiter Ensemble with Lea Desandre and Anthony Roth Costanzo offers sleek and sexy HIP inaugurates the Frick Collection’s new Stephen A. Schwartzman Auditorium
Before stopping at Carnegie Hall this weekend, The English Concert returned to the Bay Area last week with a fiery performance of Giulio Cesare
Elza van den Heever and Peter Mattei (and the stage elevator) elevate an assertive, if not definitive, new Salome at the Met
Lise Davidsen‘s singular Senta dominates the forces of the Norwegian National Opera in a roiling new recording of Der fliegende Holländer out now on Decca Classics
Turmoil and injustice in the federal government; turmoil and grief in the Catholic Church: the time sure seems right for a staging of Francis Poulenc’s Dialogues des Carmélites.
Elina Garanca is back at the Met for the first time since 2020 — her Amneris is, in a word, sensational.
A fine Don Giovanni at Opera Philadelphia rounds out the company’s inaugural season under Anthony Roth Costanzo
Opera San José (OSJ) concluded its eclectic 41st Season with another first, Héctor Armienta’s Zorro, which received its Northern California premiere at the California Theatre on Friday, April 19th.
Breaking the Waves and Tannhaüser at Houston Grand Opera are a can’t-miss doubleheader of sex and miracles.
The long-awaited Broadway musical adaptation of the NBC series Smash is “not Bombshell – it’s just a bomb,” according to David Fox and Cameron Kelsall.
A feast of whimsy for the recently resurrected in Aaron Siegel’s new opera, Rainbird
Félix Fourdrain‘s “féerie” Les Contes de Perrault by the Frivolités Parisiennes is as fun for adults as it is for children
By the time the curtain rose on Verdi’s Luisa Miller last Sunday in Washington Concert Opera’s final show of the season, the originally announced line-up was about as accurate as a federal agency org chart from February.
It began with charming modesty.
Don Carlos returns to the Opéra National de Paris and it’s an unusually happy occasion
Missy Mazzoli has established herself as one of contemporary opera’s most skilled and subtle architects of emotional response, and her latest, The Listeners—now at the Lyric Opera of Chicago—is no exception.
The nail-biting adventures of Voltaire’s titular hero Candide are hardly more circuitous than those faced by Leonard Bernstein’s 1956 Broadway musical adaptation.
BAM is back!
Boop! The Musical arrives on Broadway with plenty of colorful glitz, glamour, and talent with an empowering message for women to find their inner confidence to succeed and lead
A muted and merry carousel ride out of feudalism in the Met’s production of Le nozze di Figaro
A parade of young singers delight in an intimate Madama Butterfly at Amore Opera
Before this weekend, I never thought I would want to leave an opera by Act I. The recent production of Puccini’s La bohème at the Lyric Opera of Chicago taught me that there’s a first time for everything.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
