Reviews
It’s Norma, darling. We know.
Jessica Pratt’s last-minute Norma in Milan might well be the stuff of legend
A starry cast is hampered by Christof Loy‘s dour production of Rusalka in Barcelona
La sonnambula at Teatro Nuovo overcomes uneven casting to highlight the many charms of Bellini’s bel canto masterpiece
Performances of Pittori fiamminghi and Madama Butterfly in picturesque Castell’Arquato were a fine way to honor Luigi Illica, the city’s native son
Music for New Bodies at Lincoln Center’s Running AMOC* Festival proves Matthew Aucoin really is everything he’s made out to be
Wolf Trap Opera kicked off its summer season with an inventive production of Wolfgang Amadeus Mozart’s Le Nozze di Figaro inspired by Pablo Picasso that showcased up-and-coming singers.
When such a canonically ossified work like Verdi’s Aïda is directed at all (let alone as ambitiously as Damiano Michieletto at the Maggio Musicale Fiorentino), it does feel like a completely different opera
Les Brigands at the Paris Opera is an expensive joke that never lands
This evening of Julius Eastman at Lincoln Center was so good it hurt
A new production of Dialogues des Carmélites featuring Anna Caterina Antonacci proves that it’s hard to be an iconoclast in Venice.
Pride weekend events at San Francisco Opera and Festival Opera are fabulous starts to the Bay Area summer
Opera Parallèle’s Harvey Milk Reimagined offers a fragmented portrait lacking the depth or coherence needed to honor Milk’s legacy
The Comet/Poppea at this summer’s Running AMOC* festival at Lincoln Center is a thrilling, startling, deeply moving experience
A brilliant L’italiana in Algeri in Rome has Larry Wolff once again thinking about “singing Turks”
The operatic offerings of Boston Early Music Festival — Keiser‘s Octavia and Telemann‘s Pimpinone and Ino — are delectable discoveries
The Met Orchestra under Yannick Nézet-Séguin surges into summer with a mixed program at Carnegie Hall
Kent Nagano‘s and the Richard-Wagner-Akademie‘s historically informed Ring Cycle takes on Siegfried in Dresden
A new recording by the London Symphony Orchestra is the latest landmark in a spring full of Janácek‘s Jenufa
Carmen in Brussels is dramatically vibrant, if vocally stretched
A muted production challenges a talented cast in San Francisco Opera’s Idomeneo
A starry concert Aïda in Baltimore proves unusually polished
John Yohalem reports on Catapult Opera’s satiating San Giovanni Battista
Opera Director and Detroit Opera Artistic Director Yuval Sharon begins his recent book A New Philosophy of Opera by imagining a future – some forty to fifty years from now – in which opera ceases to exist as an art form.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
