Reviews
A revival of the furious I masnadieri at the Bayerische Staatsoper falls short of perfection – and there’s nothing wrong with that.
Pénélope at the Bayerische Staatsoper’s summer festival spotlights the crossroads between the nostalgic and the progressive.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Matthias Davids‘s reactionary new production of Die Meistersinger von Nürnberg might be fun, but no one comes to Bayreuth for fun.
A North American debut of a respectable French Baroque ensemble, an ebullient presentation of La fille du régiment, and an afternoon soiree in Wine Country proved to be the hottest (yet affordable!) tickets around here this Summer.
In the 1847 version of Macbeth, the forces of Teatro Nuovo lacked the thunderous punch this music can pack, but provided a pleasant ride
It’s Norma, darling. We know.
Jessica Pratt’s last-minute Norma in Milan might well be the stuff of legend
A starry cast is hampered by Christof Loy‘s dour production of Rusalka in Barcelona
La sonnambula at Teatro Nuovo overcomes uneven casting to highlight the many charms of Bellini’s bel canto masterpiece
Performances of Pittori fiamminghi and Madama Butterfly in picturesque Castell’Arquato were a fine way to honor Luigi Illica, the city’s native son
Music for New Bodies at Lincoln Center’s Running AMOC* Festival proves Matthew Aucoin really is everything he’s made out to be
Wolf Trap Opera kicked off its summer season with an inventive production of Wolfgang Amadeus Mozart’s Le Nozze di Figaro inspired by Pablo Picasso that showcased up-and-coming singers.
When such a canonically ossified work like Verdi’s Aïda is directed at all (let alone as ambitiously as Damiano Michieletto at the Maggio Musicale Fiorentino), it does feel like a completely different opera
Les Brigands at the Paris Opera is an expensive joke that never lands
This evening of Julius Eastman at Lincoln Center was so good it hurt
A new production of Dialogues des Carmélites featuring Anna Caterina Antonacci proves that it’s hard to be an iconoclast in Venice.
Pride weekend events at San Francisco Opera and Festival Opera are fabulous starts to the Bay Area summer
Opera Parallèle’s Harvey Milk Reimagined offers a fragmented portrait lacking the depth or coherence needed to honor Milk’s legacy
The Comet/Poppea at this summer’s Running AMOC* festival at Lincoln Center is a thrilling, startling, deeply moving experience
A brilliant L’italiana in Algeri in Rome has Larry Wolff once again thinking about “singing Turks”
The operatic offerings of Boston Early Music Festival — Keiser‘s Octavia and Telemann‘s Pimpinone and Ino — are delectable discoveries
The Met Orchestra under Yannick Nézet-Séguin surges into summer with a mixed program at Carnegie Hall
Kent Nagano‘s and the Richard-Wagner-Akademie‘s historically informed Ring Cycle takes on Siegfried in Dresden
A new recording by the London Symphony Orchestra is the latest landmark in a spring full of Janácek‘s Jenufa
