June is long gone. It was truly a month of excellence and exuberance here in San Francisco, coupled with cozy and inviting weather, as if to make up for the extended winter.
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Despite the ever-increasing media coverage of San Francisco’s “doom loop,” June 2023 will be forever remembered as the time where San Francisco was the opera capital of the United States.
In the more than 500 years of the history of operas, rarely (if ever) has a coming of age story, particularly one from the child’s point of view, been presented as the main topic of the opera.
Of all Handel’s oratorios, Semele begs most to be staged.
As the first of the 2018 opera productions last Saturday, the Merola Opera Program chose Mozart’s rarely-performed early serenata, Il re pastore.
Strikingly styled photos of Iréne Theorin may be found on her website.
“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”
