This afternoon the Royal Opera House offers a first glimpse of Richard Jones‘ new production of La bohème, the first at that theater since about 1735 or so. Among the talking and/or singing heads will be ROH music director Sir Antonio Pappano and the recently affianced tenor Michael Fabiano. Read more »
“Joined by his Budapest Festival Orchestra and a cast led by Christopher Maltman, [Iván Fischer’s] approach might be described as an application of the Hippocratic oath to opera; that is, he first does no harm.” Our Own JJ (not pictured) muses on the difficulty of staging Mozart’s greatest opera in his latest piece for the New York Times. (Photo by Richard Termine.)
parterre box, the world’s most widely-discussed online opera magazine, is now booking advertising for the 2018 fall season. We offer spaces and rates to suit everyone who is interested in reaching parterre’s vast and discerning audience. Email us at advertising@parterre.com and be sure to ask about our deep not-for-profit discounts!
Since no doubt the New York contingent of the cher public are already shuddering in anticipation of a Kristine Opolais Tosca as a “gala” New Year’s Eve treat, La Cieca thought you might enjoy—again, surely too strong a word—a preview of sorts. Read more »
An early preview of the new Netrebko/Barneboim/Strauss CD
Tuesday at 7:00 PM, WQXR’s Operavore and Caramoor Center for Music and the Arts offer a sneak peek at “Verdi in Paris,” the theme of this year’s Bel Canto at Caramoor.
Since its life-changing Atys first arrived in 1989 at the Brooklyn Academy of Music (where the Lully returned one last time in 2011), Les Arts Florissants has presented works there which have challenged many perceptions about 17th and 18th century opera.
One quick way to warm up: Watching tenor heartthrob Roberto Alagna.
“Considering one of the season’s star singers is a plus-size female impersonator, opera this fall is anything but a drag.”
Cher Public