Strauss test Strauss test

“Strauss makes me feel loved and like I am part of a world that is supernatural and extremely special,” says Elza van den Heever, the Met’s upcoming Salome, in a new feature at the Observer by parterre‘s very own Christopher Corwin.

Beware the ides of March Beware the ides of March

But two weeks remain for readers to stoke the fires of daily discussion over at The Talk of the Town!

A voice and something more A voice and something more

parterre‘s very own Max Keller opens up in The New York Times (!) about how starting T has affected their voice

Storm at sea Storm at sea

Born on this day in 1899 soprano Helen Traubel.

From an unknown woman From an unknown woman

On this day in 1992 soprano Deborah Polaski made her Met debut as Kundry.

Keep it gay Keep it gay

Our Own Joel Rozen in Slate ponders the good gay vs. bad gay politics of Zachary Woolfe‘s New York Times celebration of Yannick Nézet-Séguin.

Online of fire Online of fire

“She defines ‘extra.'”

On this island On this island

“The Valerie Masterson of our generation!”

Mirella Freni: money laundress?

Soprano Mirella Freni is under investigation by the Bologna District Attorney’s office of Bologna for money laundering and exportation of money abroad in connection with the BER bank. The artist from Modena, 76, will be heard by the magistrates in the next few days to clarify her position, now that the DA Antonella Scandellari has…

Goose to be cooked

Our Own Sanford graces the stage of Amore Opera tomorrow night as Dr. Bartolo in The Marriage of Figaro, and you can get $10 off ticket prices using the discount code “opening10”.  He further treads the boards on the October 22, 24 and 30.

Vergin territory

Incredible, but true, I Puritani had not been performed in Great Britain since 1887 when Glyndebourne decided to stage it in 1960 with the main intention to showcase Joan Sutherland, who had been catapulted to international superstardom one year earlier in the legendary Lucia di Lammermoor at Covent Garden. Furthermore, Vittorio Gui, who had already…

The Quantification of the Diva: Part the Third

And now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up?

Oh, how we danced on the night we were webbed

Lots of media news today, so let’s not waste any time! La Cieca congratulates Opera News on the occasion of the mag’s 75th anniversary this month, though your doyenne is willing to swear that the mag doesn’t look a day over 60! 

The ladies who liaise

Our own JJ (not pictured) revisits A Little Night Music, and who should be inhabiting that chateau extravagantly overstaffed but Elaine Stritch? [Capital New York]

Things never change, Jo

In a tidbit sure to warm the cockles of Our Own Vicar of John Wakefield, beloved artist Dame Josephine Barstow will return to the ‘boards’ of the Gran Teatre de Liceu in April 2011.  The legendary septuagenarian singing actress will be heard in the pivotal rôle of “Mummy Lucy” in Richard Jones‘s inscenation of Rustic Chivalry.

Tee party

Our Own CruzSF has devised a delightful new pastime, which consists of posing in a parterre box t-shirt “in front of the great and not-so-great opera houses of the world.” First up: the Napa Valley Opera House.  That’s after the jump.

Ashley/Auntie

In an unexpected bonus round of “This Diva Looks Like That Diva,” conspiracy theorists will surely puzzle over the eerily similar headshots of these two New York Post columnists.  

Secret Squirrel

La Cieca is happy to note that Our Own Squirrel will be on-site at Symphony Space this afternoon with live breaking coverage of the triumphs and/or scandales associated with the prima of Carmen from La Scala, as seen on HD. Coverage starts here at parterre.com at 11:45 AM.

Opera is a meritocracy

They want it. The career. They want it really bad. So we learn from Susan Froemke’s Metropolitan Opera-commissioned documentary about the participants in the final round of the 2007 MetNational Council Auditions, which is out on DVD this month. Our own doyenne reviewed the film when it was screened as an HD theatrical event, and…

I am not a hit

The world needs a lot of things: health care, happiness, homo marriages, peace, prosperity and butterflies. What it doesn’t need is a mediocre “budget” recording of a contemporary opera already satisfactorily recorded with the original cast.

Castrata Diva

Cecilia Bartoli’s latest vanity release bucks protocol to present an album heavy on historical concept. The classical recording industry has long feasted on the popularity of operatic solo records, especially during the last few years of industry-wide decline in CD sales. Incidentally, as record companies run out of ways to sell the standard repertoire to…

Random Harvest

The Random Number Generator has spoken, and from the whopping 442 comments offered during the Turandot Chat, the randomly chosen winner of the Cecilia Bartoli Sacrificium CD is #185, as written by….. Our Own squirrel. Congratulations, to you, o little nut-hoarder, and La Cieca asks that you email her a shipping address where your CD…

IV on HD

Four of the cher public caught yesterday’s HD presentation of Tosca and have agreed to share their impressions with La Cieca and the rest: “The death of Puccini’s Tosca was much exaggerated, in fact it did not take place.” “After about 34 years of going to the opera, I don’t think I’ve ever left a…

Seeking scribes

La Cieca is looking for members of the cher public who are planning to see either the HD of Tosca on Saturday or the Rosenkavalier prima on Tuesday, and who are willing to write a reaction/critique. Write to her at [email protected]. [UPDATE: Lots of volunteers for the HD, thanks! La Cieca still wants to hear…