Mahler if ya hear me Mahler if ya hear me

Yannick Nézet-Séguin, leading the Met Orchestra, and Joyce DiDonato continue their exploration of Mahler at Carnegie Hall.

Here, there, and everywhere Here, there, and everywhere

David Fox and Dan Johnson report on Yannick Nézet-Seguin‘s recent performances of Mahler’s Symphony No. 2 with the Philadelphia Orchestra in Philadelphia and New York.

A favorite Donizetti performance from James Grant A favorite Donizetti performance from James Grant

In 1972, when I was 12 years old, my mother took me to the Salzburg Festival.

All dolled up All dolled up

When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.

Katya, later Katya, later

Leos Janácek’s rise to international prominence as a Titan of music was dovetailed by a cluster of profoundly original operas that were written during his extraordinary autumnal years.

For so our master said For so our master said

Ah, that Bernstein dichotomy.

A real vibrancy A real vibrancy

Your favorite box set-aholic here completely missed the release last August of Giuseppe Di Stefano – Complete Decca Recordings in honor of the great tenor’s centenary.

Everyone’s gone to the moon Everyone’s gone to the moon

The Met’s recent Ariadne auf Naxos and Elektra combo left me wanting more and more Richard Strauss, so Trove Thursday offers a complete Capriccio with Jonas Kaufmann (his one-and-only Flamand) and Christopher Maltman vying for Soile Isokoski.

Dies irae, dies illa Dies irae, dies illa

Trove Thursday offers Mozart’s Requiem with Lucia Popp, Christa Ludwig, Peter Schreier and Walter Berry conducted by James Levine from the 1981 Salzburg Festival.

Prophet center Prophet center

Trove Thursday couldn’t wait until Passover to offer Mendelssohn’s Elijah featuring two of my favorite singers, Gabriela Benacková and José van Dam, joined by Florence Quivar, Francisco Araiza and Thomas Moser.

Thoroughly Modern Jessye Thoroughly Modern Jessye

A second Trove Thursday marking the recent passing of Jessye Norman focuses on the soprano’s catholic repertoire with three 20th century works: Stravinsky’s Oedipus Rex; Berg’s Altenberg Lieder; and Franck’s Les Béatitudes.

What we do in the shadows What we do in the shadows

The Wiener Staatsoper commemorated its 150th anniversary with a musically sensational presentation of Richard Strauss’ Die Frau Ohne Schatten.

Der Meisterdirigent Der Meisterdirigent

Christian Thielemann is widely regarded as our time’s preeminent master of the Austro-German symphonic ensemble.

Out of the shadows Out of the shadows

“Trove Thursday” offers Die Frau ohne Schatten conducted by Georg Solti and also featuring Regina Resnik, Donald McIntyre and the inevitable James King.

Thousands cheer Thousands cheer

Although Gustav Mahler never wrote an opera, his colossal Eighth Symphony “The Symphony of a Thousand” may give us some glimpses of what a Mahler opera might have sounded like

Love of the earth Love of the earth

Claudio Abbado passed away on the 20th of January five years ago, just months before I began my Ph.D.

Brute force Brute force

Alban Berg’s compact yet potent oeuvre has long played an outsized role in shaping my understanding of music’s aesthetic evolution.

Not only with words, but with lively gestures Not only with words, but with lively gestures

“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.” 

As on through the seasons we sail As on through the seasons we sail

Trove Thursday looks forward to spring via Haydn’s beguiling oratorio Die Jahreszeiten (The Seasons) in a splendid rendition from the 1981 Salzburg Festival with Ileana Cotrubas, Francisco Araiza and José van Dam, James Levine conducting.

Gli enigmi sono due Gli enigmi sono due

Giacomo Puccini’s final opus interruptus is and shall always remain my favorite opera. The reasons for this preference are so varied and numerous that if they were printed and bound the volume would most assuredly require its own stand.  

Aged in blood Aged in blood

Simply put, Christine Goerke is a stupendous Elektra.

Tweet charity Tweet charity

La Cieca is positively brimming with excitement to bring you an exclusive interview with @FakeNLebrecht, connoisseur of sick notes, writer of fiction and obituaries.

A ‘Ring’ for the rest of us A ‘Ring’ for the rest of us

I was once accused—by my own mother, mind you!—of having too many recordings of Verdi’s Aida.  The blistering audacity of that recrimination did get me to thinking: How many recordings of Aida is too many? I mean, you’ve got the old classic you cut your teeth on. Then there’s he one where the tenor and…

Between two worlds Between two worlds

If works like Salome and Erwartung defined modernism in the first decades of the 20th century, Die Tote Stadt and Palestrina represented the regressive avant garde.