Metropolitan Opera 2025-26
The Metropolitan Opera has revealed its upcoming season.
Metropolitan Opera
The Met should revive Saint-François d’Assise
The Met was built for Saint-François d’Assise. It is a huge work, and it needs a huge space. And Ingo Metzmacher.
By Remko Jas
118 comments
Look to the western sky
Not even howling winds and thunderous rain could dampen the excitement of Bay Area audiences to experience Norwegian soprano Lise Davidsen for the first time in the Bay Area at Zellerbach Hall Berkeley last Tuesday, 4 February.
Goddess in three persons
Patrick Mack looks back on “a great, nay, historic evening,” Renata Scotto‘s 1981 performance of Il trittico, now newly available on Met Opera on Demand.
Paul Plishka 1941-2025
The American bass, a fixture of the Metropolitan Opera between 1967 and 2018, was 83.
A favorite Mozart performance from Last Castrato
This is an astonishing recording by one of the greatest singers of the 19th century.
By Last Castrato
141 comments
Ode to Ode to Joy
Are Beethoven’s symphonies overplayed? Yes, but for a reason. While this justification may sound cliché, Beethoven’s humanist universalism is a sentiment that feels urgent in an era of widespread polarization and pessimism.
Life is like a box of Mozartkugeln
Following last week’s multiple versions of three prime concert arias, Chris’s Cache concludes its Mozart month by offering more of those special vocal works, this time twenty-five arias for mezzo, tenor or bass, as well as more for soprano.
Shocker and awe
In 2011, Sondra Radvanovsky‘s Tosca proved promising; fourteen years later, it was absolutely magnificent, a completely satisfying musical and dramatic embodiment of a challenging role by an artist at the peak of her powers.
Consumptive professionals
Given the keen interest in recent posts of Met pirates of Montserrat Caballé in Verdi, Chris’s Cache concludes its trio with the Spanish soprano’s Met Violetta, along with additional Met in-house recordings of Virginia Zeani, Pilar Lorengar, Jeanette Pilou, and Joan Sutherland as Verdi’s doomed courtesan.
A favorite Mozart performance from RudigerVT
At the time of the recording’s release, Kathleen Battle was getting established.
By RudigerVT
93 comments
Countering expectations
Apologies in advance to Key’mon Murrah, whose rather extraordinary Marian Anderson award recital with pianist Brian Zeger at the Kennedy Center on December 17 demands some general musing.
Otto Schenk 1930-2025
The celebrated Austrian director, known for his picturesque and conservative stagings, was 94.
A favorite Mozart performance from Peter Russell
For many opera lovers of the Baby Boomer generation, German bass Kurt Moll (1938-2017) was Sarastro, exuding wisdom and kindness through his unaffected bearing and incomparably rich, homogeneous sound.
By Peter Russell
104 comments
The government shall be upon his shoulders
Despite not being very happy with the state of the world (and the union) and not looking forward to the New Year, this past December I took in many festive holiday offerings including a pair of oratorios.
Can you dig it?
I had been hopeful that 2024 would end, if not on a high note, then one that was at least in tune.
Blythe esprit
Operettas always seem to be on the menu for New Year’s Eve, so Chris’s Cache joins in with a broadcast of Offenbach’s delicious La Grande-duchesse de Gérolstein featuring Stephanie Blythe in the title role.
Birds, bears, and based boyfriends
While the Met’s Mozart-lite holiday production of The Magic Flute kept the eyes entertained with spectacular sets and costumes, the scattershot casting and lack of musical seriousness dragged down this opera for beginners.
New kids from the bloc
If song recitals by opera stars Piotr Beczala and Asmik Grigorian sometimes came up short, Semyon Bychkov’s powerful rendition of the Glagolitic Mass instantly became one of the year’s highlights.
Ethiopian blends
Anticipating the first new local Aïda in thirty-six years, Chris’s Cache revisits Verdi’s popular opera in four unusually interesting in-house recordings from the Met 1961-1976.
Tree and tree again
While everyone tries to figure out what on earth Strauss and Hofmannsthal are up to in Die Frau ohne Schatten, now playing at the Met, Chris’s Cache offers a later, simpler, shorter Strauss with three live broadcasts of his “bucolic tragedy” Daphne.
‘Tis better to be viol
Here’s the bottom line: at Carnegie Hall’s Zankel Hall stage on December 3, Iestyn Davies and viol consort Fretwork made the sweetest sounds I’ve heard from human beings all year.
Duet to me one more time
Patrick Mack reviews yet another Puccini album from Jonas Kaufmann
Trick mirror
A recent conversation with a friend who has loved Die Frau ohne Schatten for twice as long as I have been alive revealed that we both had some unresolved questions about the plot.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).