Metropolitan Opera
Turandot
Zubin Mehta conducts a classic broadcast from 1966 featuring Birgit Nilsson, Franco Corelli, Mirella Freni, and Bonaldo Giaiotti
Down for the Count
An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
Dealt a bad hand
Brian Jadge will be replaced by Brandon Jovanovich in the upcoming revival of The Queen of Spades, announces the Met press office
Now you Caesar, now you don’t
Before stopping at Carnegie Hall this weekend, The English Concert returned to the Bay Area last week with a fiery performance of Giulio Cesare
Little girls get bigger every day
Elza van den Heever and Peter Mattei (and the stage elevator) elevate an assertive, if not definitive, new Salome at the Met
Ritorna vincitrice
Elina Garanca is back at the Met for the first time since 2020 — her Amneris is, in a word, sensational.
Loving him isn’t the right thing to do
Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series
Die Sterne des Himmels werden zur Erde fallen
Chris’s Cache highlights the erstwhile Chicago Symphony Orchestra @ Carnegie series with not one but two starry operas conducted by Georg Solti: Salome with Birgit Nilsson and a performance of Moses und Aron
Brain Wurm
By the time the curtain rose on Verdi’s Luisa Miller last Sunday in Washington Concert Opera’s final show of the season, the originally announced line-up was about as accurate as a federal agency org chart from February.
L’assedio di Corinto
A broadcast from 1975 celebrates 50 years since the Met debut of Beverly Sills
Bachelor party
It may be blasphemy to admit—particularly this month—but usually I can either take or leave Donizetti’s serious operas. However, I love the composer in comic mode, so Chris’s Cache runs with that sentiment in offering three recordings of Don Pasquale.
A favorite Donizetti performance from Krunoslav
In terms of elegance and beauty of execution, Renato Bruson is in a class by himself among Donizetti baritones.
Seville servants
A muted and merry carousel ride out of feudalism in the Met’s production of Le nozze di Figaro