They do the sand dance, don’t you know? They do the sand dance, don’t you know?

Akhnaten has lost none of its power or glitz at the Los Angeles Opera.

Better off dead Better off dead

I have a horrible confession. I’ve always judged the quality of an opera largely on the number of dead characters at the finale.

Reviving a pharaoh Reviving a pharaoh

The Met brought back 2019 smash Akhnaten last night, with nearly the exact same cast and creative team, and with nearly the same knockout effect of three years ago.

Love for sail Love for sail

Last weekend, On Site Opera presented What Lies Beneath, a program of maritime-themed operatic excerpts staged aboard the 19th century schooner Wavertree (now a part of the South Street Seaport Museum).

Joust in time Joust in time

Zachary James builds on his early career experience as a musical theater performer to deliver a thoughtfully crafted, blessedly restrained Quixote/Cervantes.

One little soldier One little soldier

Take it as a high compliment to the harrowing, riveting Soldier Songs that I was grateful it lasted only one hour. My nerves couldn’t have handled more.

Call of the wild Call of the wild

Call Out is an ample demonstration of Zachary James’ many talents—and an inspiring example of the artistic light that can be generated even when our theaters are temporarily dark.

Changing the lockdown Changing the lockdown

HERE’s Zoom opera, all decisions will be made by consensus, is not merely an opera written to be performed on a digital platform, but an opera that critiques the platform itself, laying bare all its social and aesthetic limitations.

A place in the sun A place in the sun

Friday evening’s Met premiere of Akhnaten was a resounding triumph and an outstanding testament to Philip Glass’s enduring operatic vision.

Tales of the citrus Tales of the citrus

Opera Philadelphia’s Love of Three Oranges is never less than extravagantly entertaining theater.

Something Aten! Something Aten!

Akhnaten, seen at the Los Angeles Opera on November 13 tells the story of the Pharaoh who abandoned traditional Egyptian polytheism.

New waves New waves

Missy Mazzoli, a 36-year-old composer from Brooklyn, has created the most startling and moving new American opera in memory.

Monotheism mit Marianne Monotheism mit Marianne

Philip Glass is indisputably one of the most prolific composers of the last half century, yet none of his more than 20 operas has found a place in the standard repertoire.