Follow your bliss Follow your bliss

In recital for the Los Angeles Opera, tenor Ben Bliss makes the case for the next stage of his career.

Conductors for the ages Conductors for the ages

In Munich, performances by 97-year-old Herbert Blomstedt and 32-year-old Thomas Guggeis show the city’s orchestral ensembles at their best

Devil in disguise Devil in disguise

On this day in 1953 the Metropolitan Opera opened its season with a new production of Gounod’s Faust.

Anyone can puzzle Anyone can puzzle

Steve adored puzzles, solving them and creating them, so it makes you wonder that this one continued to fester—was that so few of his songs attained the rank of “standard.”

Letting their hair down Letting their hair down

After the break the ladies stepped up their game so much that it elevated the night into legendary status: definitely one for the books!

Myth me blind Myth me blind

“Spring has sprung,” announces MasterVoices’ director Ted Sperling with a smile at the beginning of Part III. And indeed, even the doomsayers among us (and I count myself one) can’t help but feel signs of cautious optimism, as the world we knew slowly but noticeably begins to re-emerge.

Somebody up there likes him Somebody up there likes him

The flawless, classical singing style of Perry Como. Perry Como?

Ella Sings Rodgers and Hart and Cole Porter Ella Sings Rodgers and Hart and Cole Porter

If you want to be sophisticated, drink a cocktail while listening to this particular record.

The Stuff and Nonsense Dreams Are Made On The Stuff and Nonsense Dreams Are Made On

The New York Gilbert And Sullivan Players is giving its umpteenth production of The Mikado through next Sunday at the Kaye Playhouse, and the show remains frisky and first rate.

Winged defeat Winged defeat

Frankly, I can’t imagine there’s a future for I Married an Angel.

Close ‘Call’ Close ‘Call’

Director Casey Hushion attempts to spice up Call Me Madam in ways that make it feel more than ever like an out-of-touch relic.

Talking to John Raitt, part three Talking to John Raitt, part three

In the final installment of this interview, the star discusses the enduring appeal of Carousel.

Talking to John Raitt, part two Talking to John Raitt, part two

In the third part of this interview with John Raitt, the singer speaks in great detail how he was cast in his breakthrough role of Billy Bigelow in Carousel.

The Raitt stuff The Raitt stuff

Never in my wildest dreams did I imagine I would be having lengthy telephone conversations with John Raitt. 

The perfect use of an imperfect medium The perfect use of an imperfect medium

Carousel is receiving a Broadway revival in a simple, cautious production that still manages to pack an emotional wallop.

White people problems White people problems

How on Earth will these fictitious luminaries of turn-of-the-century Swedish society keep their clothes clean?

Inappropriately touching Inappropriately touching

“Operatic” generally refers to sung drama, but there is another meaning of that term: grandiose, outsize, hysterical.