Nervous system theater
Like a sommelier of male entitlement, Peter Mattei paired with precision moves from a wide-ranging vocabulary of gesture.
14 pieces since 2011 — at 4 companies, most often at Glyndebourne.
Like a sommelier of male entitlement, Peter Mattei paired with precision moves from a wide-ranging vocabulary of gesture.
Winter weather has taken a toll on the cast of Lyric Opera of Chicago’s revival of Puccini’s Madama Butterfly.
From the technical standpoint San Francisco Opera’s Billy Budd was pretty much flawless.
Saturday August 17 the Merola Opera Program wrapped up its annual Summer Festival with the Merola Grand Finale concert at the War Memorial Opera House.
It was quite a pleasure—a privilege, really—to see John Dexter’s legendary production of Poulenc’s Dialogues des Carmélites.
Peter Mattei, one of my two favorite baritones these days, in an unexpected title role, Britten’s Billy Budd.
One needs liberty in order to be a libertine.
I was shocked to realize I hadn’t seen Don Giovanni at the Met since Michael Grandage’s stultifying production opened in 2011.
A 1985 broadcast of Don Giovanni featuring Cheryl Studer, Gundula Janowitz (as Elvira!), Krisztina Laki, Gösta Winbergh, Hermann Prey (in a rare outing as the Don) and Malcolm King conducted by Jeffrey Tate.
When Winston Churchill was First Sea Lord, the story goes, an indignant admiral accused him of violating British naval tradition, to which Churchill replied that the only traditions of the British Navy were rum, sodomy and the lash.
While James Levine’s name might not immediately spring to mind when pondering the great Mozart conductors, he does have a long and distinguished career leading operas by the Austrian master.
La Cieca is just back from the HD of Don Giovanni from La Scala: excellent singing through the whole cast, strong conducting (if tending to the slow side) by Daniel Barenboim, and a smart, chic production from Robert Carsen that frankly makes Michael Grandage look like an utter bumpkin. The presentation will repeat here in […]
Scanning this summer’s Mostly Mozart schedule one wondered if New York really needed another Don Giovanni right now? And one with a non-starry cast where the best-known name was the Commendatore, Kristinn Sigmundsson?
After the Georges Antheil opera that was my first assignment from La Cieca, I have to confess feeling slightly relieved when I opened the parterre package to find: Billy Budd! And not only a Billy Budd, but one starring John Mark Ainsley! The rest of the cast looked similarly starry (pardon the pun), so I […]
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.